Posts categorized as behind the scenes

Picking a pocket…or two

Intern Keira Miller in the lab, preparing materials for dyeing. Photo by A. Peranteau, copyright Te Papa.

Have you ever thought about the history of the humble pocket?  This past winter, Keira Miller, an intern from the University of Glasgow’s Center for Textile Conservation, helped us with the treatment of some detachable 18th century pockets for the exhibition European Splendour 1500-1800.   Keira writes about the importance of pockets in 18th century fashion and the… Read more »

You can come across some surprising sights when wandering around Te Papa – including 3 and 4-year-olds taking pictures with vintage cameras.  If you pay a visit to the art exhibitions in Ngā Toi, you might come across a small group of children from Tai Tamariki Kindergarten. Nothing too surprising there you think, but when you notice… Read more »

David Riley, who works in our Digital Collections and Access team, is digitising 190 film reels – the contents of which hasn’t been seen for 70 years. Find out what he’s found so far. Discovering the film reels Since joining Te Papa I have been curious about a collection of 16mm and 8mm films stored… Read more »

A Children’s Guide to Splendour by Pukerua Bay School Museum

A Children's Guide to Splendour by Isaac du Toit, edited by Paddy Rockwell.

Written for children, by children, Te Papa’s Learning Innovation and Art teams are very excited to share the first book produced by our friends from the Pukerua Bay School Museum. This guide is full of great information relating to life in Europe in the 16th to 19th centuries – inspired by the taonga (treasures) on display in the European Splendour… Read more »

Can you see through paint? Examining a hidden wall mural using infrared reflectography

soil-bureau-mural

Linda Waters, Conservator Paintings, shares a technique used in her work to look through layers of paint and uncover a painting that would otherwise remain invisible. Recently we had an opportunity to try to see through paint in the foyer of a building in Taita to find a mural underneath. Bronwyn Holloway Smith from Massey University… Read more »

Prepping a 1905 replica All Blacks jersey for the road

Rugby jersey [1905 replica], 2011, New Zealand, by Robertina Downes, Deborah Cumming, Manawatu Knitting Mills Ltd, New Zealand Rugby Museum. Commissioned 2011. Te Papa (GH017325). After padding out for display.

Recently I blogged about preparing an 18th century gown (now on display in European Splendour).  A few weeks ago, the same skills were applied to a very different type of garment—the replica All Blacks “Originals” 1905 jersey. The jersey will be on display in Hamilton until January 8th in the Waikato Museum exhibition Fernz: an exploration of… Read more »

The power of lace – making European Splendour 1500-1800, Te Papa

Maker unknown, lace collar, linen, Europe. Gift of Mrs M W Aitken, 1970. Te Papa (PC001724). © photographer Justine Olsen.

Lace is fascinating for its changing and divisive role in history. Desired for its beauty and admired for its technical expertise, the best quality was restricted in use for monarchs and nobility.  While sumptuary laws during the 1500 and early 1600s claimed to protect local industries, lace actually helped identify social rank of the individual…. Read more »