Posts categorized as Textiles

Rātana Church and Mita Ririnui: The Colours of Service

  • Filming Mita Ririnui in Te Papa studio. June 2012. Photographer Puawai Cairns, copyright Te Papa Tongarewa 2012.
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  • Decoding the Āpotoro Rēhita robes

ME024090; Āpotoro Rēhita Haahi Rātana Kākahu (Registered Apostle Ratana Church religious clothing) Continuing the blogging about some of the key uniforms and acquisitions for the Uniformity exhibition, this blog is going to talk about one of my favourite uniforms in the show: the robes of an Āpotoro Rēhita from the Rātana Church and a uniform… Read more »

Birds of a feather

  • Page from the British Museum's 1970 guide for collectors on preparing bird skins.
  • DEAD SET POSTER | PUKEKO, offset print on 170gsm
  • DEAD SET | MIROMIRO SCARF, digital print on silk/cotton
  • DEAD SET | KOTARE CUSHION, Digital print on hemp / organic cotton

The Te Papa Store has just taken possession of a range of new stock inspired by the museum’s natural history collection. Dead Set is by textile designer Genevieve Packer, and is based on Te Papa’s haunting and strange collection of bird skins.   For the novice, of which I am in the case of natural history, bird skins are… Read more »

Redcoated ancestor

  • Sergeant John Smith Jackson, late 1880s-90s. Photograph courtesy of Beatrice Jackson and Pat McAllister.
  • The tunic on display in 'Uniformity', level 4, Te Papa.
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  • Graham Jackson and Matt Raines checking out Sergeant John Smith Jackson’s uniform, 2012.

Graham Jackson and his grandson Mathew Jackson Raines were thrilled to see the uniform of their ancestor Sergeant John Smith Jackson (1870-1963) on display in Uniformity: Cracking the dress code at Te Papa recently. Sergeant Jackson is Graham’s grandfather and Matt’s great-great grandfather. As a young man, John Smith Jackson joined the Gordon Highlanders – a… Read more »

Uniformity: Making the Curatorial Cut

  • Jerry UGS
  • Graphic for Sir Jerry's uniform. Te Papa 2012.
  • Taiaha Kura http://collections.tepapa.govt.nz/objectdetails.aspx?oid=132774&term=taiaha+red
  • Photographer Michael Hall, Te Papa 2012.

 I’ve been asked a lot of questions about why some of the new acquisitions were pursued and why they were put into this show, so hopefully this entry will help answer some of the queries and shed light on the curatorial decisions made for Uniformity. In my last blog Uniformity: Why Uniforms Matter, I talked about… Read more »

Call for papers: Costume and Textile Association symposium 2013

The 2013 annual symposium of the Costume and Textile Association of New Zealand (CTANZ) will be held in Auckland on Friday 22nd and Saturday 23rd March 2013. Hosted by The Auckland Museum Institute in conjunction with the Centre for New Zealand Art Research and Discovery, this event promises to deliver two days of entertaining speakers united by… Read more »

Calling all quilt lovers!

Professor Beverly Lemire
Department of History & Classics
and Department of Human Ecology
University of Alberta, Edmonton 
Canada

On Wednesday 14 November 2012 from 6.30 to 8.30pm visiting material-culture specialist Beverly Lemire will present an illustrated lecture on the history of the quilt entitled From Global Trade to Domestic Arts: The Spread of Quilt Culture 1600–1900. Beverly Lemire has worked with collections at major museums in Canada, the United States, Portugal, Spain, India, and… Read more »

Getting into our uniforms: A behind the scenes look

  • The display mannequin with a cavity cut out, to accomodate the required locking mounts for the firearms and to enable the mannequin to be screwed to the back wall of the case. Image copyright Te Papa.
  • Detail of the glove after the modification of the display mannequin. Image copyright Te Papa.
  • Mannequin hands with rebuilt fingers constructed of armature wire and archival foam. Image copyright Te Papa.
  • Uniform of Colonel Willie Apiata, VC dressed on its mannequin without any modifications. The mannequin was about 10 cm narrower between the shoulders than Colonel Apiata, and slightly taller than him. Image copyright Te Papa.

Hopefully many of you have seen or plan to see our newest Eyelights gallery exhibition that opened on the 24th of September.  Uniformity: Cracking the Dress Code  features uniforms worn in various contexts—school, church, battlefield, rugby field, and even those worn on the street.  A previous post about Uniformity talked about the role that outside… Read more »

Hero’s uniform

Lance Corporal Willie Apiata on duty in Afghanistan, 2004.  Photograph courtesy of the New Zealand Army

Uniformity: Cracking the dress code  has just opened on level 4 of  Te Papa in the Eyelights Gallery.  This time we’ve focused on uniforms, the influence of uniforms on fashion, and elements of uniformity in the way people dress. A highlight of the exhibition is Corporal Willie Apiata, VC’s combat uniform from Afghanistan. Corporal Apiata… Read more »