Posts categorized as Textiles

An action-packed Anzac week: WWI, live performances, arts and craft, and fashion

S. Rosamond Praeger working on the decoration of the 
façade of the Thomas Andrews/Titanic Memorial Hall. Photo courtesy of Joseph McBrinn.

The forthcoming ‘Anzac week’ is going to be an action packed one for Te Papa, with a wide range of events on offer for both adult and family audiences that explores aspects of the First World War and beyond. Family theatre – An Awfully Big Adventure If you are looking for a family outing over Anzac Weekend, you might… Read more »

In memory of Andrew Pfeiffer – Royal New Zealand Ballet’s ‘Master of the Wardrobe’

Andrew Pfeiffer - Wardrobe Master of the Royal New Zealand Ballet. Credit Susana Lei’ataua  Courtesy of the Royal New Zealand Ballet.

Senior history curator Claire Regnault pays tribute to New Zealand costumier and ‘Master of the Wardrobe’ at the Royal New Zealand Ballet, Andrew Pfeiffer. On Friday 3 March, Andrew Pfeiffer passed away at the age of 69 at Mary Potter Hospice in Wellington, surrounded by friends. Andrew, who was also known as Drew, or simply… Read more »

Collaboration in conservation: Deborah Crowe and Kim Fraser’s Dual Outlook

  • Kim Fraser and Deborah Crowe. Image provided by D. Crowe.
  • GH006532/4, Dual Outlook visor after treatment.
  • Underside of visor edge, showing sticky, soiled adhesive residue. The maker’s label is a separate layer and remains in place following treatment.
  • Deborah Crowe consulting on the treatment of her work in the textile conservation lab at Te Papa.

Te Papa’s textile conservator Anne Peranteau runs through the process involved in preparing a much-loved garment for public display. In March, the exhibition When Dreams Turn to Gold: The Benson and Hedges Fashion Design Awards will open at the Dunedin Public Art Gallery (DPAG). The Benson & Hedges event was New Zealand’s premier fashion competition, running for 34 years… Read more »

Feather identification workshop, Whanganui Regional Museum

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In a collaboration between National Services Te Paerangi and Whanganui Regional Museum, Te Papa’s bicultural researcher Hokimate Harwood brought her phenomenal feather identification skills to a community of 30 weavers and bird enthusiasts earlier this year. Hokimate’s feather identification research looks to decode materials and messages within kākahu | feather cloaks. This means bringing together… Read more »

Ten splendid objects

Colourful dish

Curator decorative art and design Justine Olsen chooses her top ten objects exhibited in European Splendour: 1500–1800. The objects below are mainly decorative and through them we see changes in style, materials, and techniques. They offer a valuable insights into a bygone age and highlight the impact of religion, trade, culture, and the way European society viewed itself…. Read more »

Curator Claire Regnault discusses the declaration that ‘fashion is dead’ – a question at the heart of this year’s End of Fashion conference, hosted in Wellington. In 2015 Li Edelkoort, a highly regarded trend forecaster, made international headlines with her declaration that fashion is dead. To support her claims she published an anti-fashion manifesto in which she… Read more »

A Children’s Guide to Splendour by Pukerua Bay School Museum

A Children's Guide to Splendour by Isaac du Toit, edited by Paddy Rockwell.

Written for children, by children, Te Papa’s Learning Innovation and Art teams are very excited to share the first book produced by our friends from the Pukerua Bay School Museum. This guide is full of great information relating to life in Europe in the 16th to 19th centuries – inspired by the taonga (treasures) on display in the European Splendour… Read more »

Remembering Avis Higgs: painter, designer, and ‘a truly awesome woman’

Swan Top, from Laurie Foon's 2005 collection Black Swan. The textile design was created by Avid Higgs in the 1940s.

Last week, we received the sad news that Avis Higgs had passed away just a few days after celebrating her 98th birthday. Avis Higgs was known to many as a painter. She was actively involved in the Architectural Centre Gallery, the New Zealand Academy of Fine Arts and the Watercolour Society of New Zealand.  She is also… Read more »

Prepping a 1905 replica All Blacks jersey for the road

Rugby jersey [1905 replica], 2011, New Zealand, by Robertina Downes, Deborah Cumming, Manawatu Knitting Mills Ltd, New Zealand Rugby Museum. Commissioned 2011. Te Papa (GH017325). After padding out for display.

Recently I blogged about preparing an 18th century gown (now on display in European Splendour).  A few weeks ago, the same skills were applied to a very different type of garment—the replica All Blacks “Originals” 1905 jersey. The jersey will be on display in Hamilton until January 8th in the Waikato Museum exhibition Fernz: an exploration of… Read more »

Guess who’s coming to dinner? Ethel Tweedie’s celebrity table-cloths

What dinner party conversation riled up this well dressed gent?

Following a recent blog post featuring a suffragette signature handkerchief, I became curious about the origins of what is collectively known as ‘signature cloths’. Just when did signature cloths become ‘a thing’ and what was their purpose?  Rozsika Parker, author of The Subversive Stitch, describes signature cloths as a ‘female social tradition by which guests would embroider their signatures for their hostess to commemorate… Read more »