Posts categorized as Fashion

Unveiled: Wedding Dress of the Week

One of my most favourite fashion terms is passementerie. Its a French term that looks and sounds good, and which economically describes a luxurious array of frivolities used to adorn dress and interiors, including pom poms, bobbles, braid, ribbon, fringing, buttons, tassels and gimp. The English equivalent is the equally delightful ‘haberdashery’.  This week’s Wedding Dress is a… Read more »

Unveiled events programme kicks off!

Clara Mathews' wedding dress by Charles Frederick Worth, 1879. Collection of V&A. Given by Mrs G.T. Morton.

Following the holiday period, Te Papa is getting into full swing for 2012. The lifts are crammed, the phones are ringing, emails are flying and meeting requests are flooding in.  Best of all, it also means that the 2012 Events Programme for Unveiled: 200 Years of Wedding Fashion from the Victoria & Albert Museum, London is about to take off. The… Read more »

Unveiled: Wedding Dress of the Week

Evening dress by House of Fortuny, 1930s. Gift of Estate of Agnes Miles Carpenter, 1958. Collection of the Costume Institute, Metropolitan Museum of Art, NY. C.I.58.61.3a, b.

This week’s ‘wedding dress of the week’ is an homage to classicism. Designed by Ian & Marcel this dress and coat is one of the most subtle yet rewarding ensembles included in Unveiled: 200 Years of Wedding Fashion from the Victoria & Albert Museum, London. Ian & Marcel was founded in 1979 by two Canadians – Ian Cooper and… Read more »

Unveiled: Wedding Dress of the Week

  • Sketch by Charles James, 1942. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Mrs. Clive Runnels and Mrs. Edward L. Ryerson, 1957
  • Half sewn muslin for Charles James' 'Ribbon' dress, 1947. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Millicent Huttleston Rogers, 1949
  • Half sewn muslin for Charles James' 'Ribbon' dress, 1947. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Millicent Huttleston Rogers, 1949
  • Sketch by Charles James. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Mrs. Clive Runnels and Mrs. Edward L. Ryerson, 1957

Wedding dress by Charles James for Baba Beaton, 1934 The Parisian fashion designer Madeleine Vionnet (1876 – 1975) is credited with having invented the bias cut. She commented: ‘Maybe because everyone else made dresses that flowed in the same direction, I saw that if I turned the fabric on an angle… it gained elasticity’. Elasticity is something that this… Read more »

Unveiled: Wedding Dress of the Week

  • Silk brocade shoes purchased from Peter Robinson, London, 1914. Worn by Phyllis Blaiberg for her marriage to Bertie Mayer Stone at the Bayswater Synagogue, London on 9 September 1914. Given by Mrs B. Rackow
  • Silk brocade shoes purchased from Peter Robinson, London, 1914. Worn by Phyllis Blaiberg for her marriage to Bertie Mayer Stone at the Bayswater Synagogue, London on 9 September 1914. Given by Mrs B. Rackow
  • Beaded lace wedding dress and train designed by Aida Woolf, London, 1914. Worn by Phyllis Blaiberg for her marriage to Bertie Mayer Stone at the Bayswater Synagogue, London on 9 September 1914. Gift of Mrs B. Rackow
  • Lucy Cracroft in her wedding gown, 29 December, 1914 by The Hardie Shaw Studios. Collection of Te Papa. Gift of Mr I C Ferguson, 1982

A Christmas Wedding This silk chiffon and satin dress was worn by Lucy Eleanor (Lulu) Cracroft of Hataitai when she wed James Meade Ferguson at St Mark’s Church in Wellington just after Christmas on 29 December, 1914. Lucy’s dress features a fashionably relaxed silhouette and a ‘V-neckline’. The latter had come into play in 1913, causing both excitement… Read more »

Unveiled: Wedding Dress of the Week

  • Ball gown consisting of a bodice and skirt in moiré silk with machine lace, probably made in Great Britain, ca. 1885. Collection of the Victoria and Albert Museum. Given by the Hon.S.F. Tyser
  • Woman's riding jacket of flannel trimmed with mohair and lined with sateen, designed and made by Messrs Redfern and Co., England, 1885-1886. Collection of the Victoria and Albert Museum, London.
  • Wedding dress made by Gladman & Womack, London, 1885. Cream silk satin trimmed with embroidered net and pearl beads. Worn by May Primrose to marry Major Herbert Littledale on 10 June 1885 in Cheltenham. Given by the Hon.S.F. Tyser
  • Wedding dress made by Gladman & Womack, London, 1885. Cream silk satin trimmed with embroidered net and pearl beads. Worn by May Primrose to marry Major Herbert Littledale on 10 June 1885 in Cheltenham. Given by the Hon.S.F. Tyser

Perhaps a little unwisely, I have decided to commit to a weekly blog post in conjunction with our current exhibition Unveiled: 200 Years of Wedding Dress from the Victoria and Albert Museum, London. Wedding Gown of the Week will include gowns from the Unveiled and Te Papa’s own collection – the exhibition has spurred us on to exploring our… Read more »

Unveiled opening

  • Wedding of Terrianne Takulua & Sonatane Takulua, Waipoua Forest, 2011 from Te Papa's Wedding Gallery.
  • Guests flooding into Unveiled. Photo: Michael Hall, Te Papa
  • An artful shot of the exhibition. Photo: Michael Hall, Te Papa
  • The entrance to Unveiled: 200 Years of Wedding Fashion. Photo: Michael Hall, Te Papa

Unveiled: 200 Years of Wedding Fashion from the Victoria and Albert Museum, London was officially opened this morning with a special wedding breakfast for 300 guests. Perhaps surprisingly for an exhibition from wintery London, guests were adorned with lei and fresh ‘ei (flower garland) on arrival and were drawn upstairs by a turou and the rythmic beats of… Read more »

Unveiled: from ‘toast rack’ to pure spectacle

  • The beautifully adorned, and rather revealing, bodice. Photo: Kate Whitley, Te Papa
  • The train, scattered with beaded stars. Photo: Kate Whitley, Te Papa
  • The train in all its glory. Photo: Kate Whitley, Te Papa
  • Anne and Keira remove the 'duvet'. Photo: Kate Whitley, Te Papa

On Monday, the Unveiled installation team unpacked what must be considered one of the exhibition’s most glamorous gowns – a glorious number designed by Norman Hartnell for Margaret Whigham, a British society beauty who married Charles Sweeney, a movie-star handsome American, in 1933. While one of the most glamorous, it is also the most tricky to pack and display due to the… Read more »

Unveiling Unveiled

  • Sarah slowly removes the protective covering. Photo: Kate Whitley, Te Papa.
  • Dita von Teese's wedding gown by Vivienne Westwood unveiled. Photo: Kate Whitley, Te Papa.
  • Sarah from the V&A carefully puts in place the final touch to Dita von Teese's outfit - a jaunty tricorne hat by Stephen Jones.
  • Unveiled Installation

This week it has been full steam ahead in the VISA Platinum Gallery. The crates carrying Unveiled: 200 Years of Wedding Fashion from the Victoria and Albert Museum, London arrived by sea, and Keira Miller and Sarah Scott from the V&A arrived by air. Over the last week Keira and Sarah, accompanied by our team of… Read more »