Posts categorized as Fashion

The joy of dressing up – a look through our photography collection

9 people in Pierrots (clowns) outfits

With the World of Wearable Art Show (WOW) in town, and fantastic costume art in Te Papa’s store windows, we were inspired see what creative costumes we have in our photography collection. Mr A. Mason wearing a ‘poster’ costume for the Empire Tea Company’s Crescent brand, which was described in advertisements of the time as… Read more »

Bring on the bum roll… Dressing for Splendour

Robe à l’anglaise retroussé or English-back gown, 1770-1780. Te Papa.

Bottoms have been in the news again lately. The conversation has been around what must be the 21st century’s most famous derrière, that of American celebrity Kim Kardashian. Indeed, in May she received a Webby award for ‘breaking the internet’ – a feat achieved with a bare-bottomed shoot for Paper Magazine. More recently British actress Helen Mirren chimed in, praising the celebrity for promoting another body… Read more »

Pukerua Bay School Museum visit European Splendour

Entering Splendour, Photograph by Justine Olsen, © Te Papa

The European Splendour 1500-1800 exhibition opened on Friday 16 September in Ngā Toi | Arts Te Papa. Our friends from Pukerua Bay School Museum: Aurelia (aged 9), Paddy (aged 11), Isaac (aged 12) and their teacher Cat Lunjevich, came to visit and spent time in conversation with our curators Justine and Mark. They have kindly written this post… Read more »

Wenceslaus Hollar: etching the 17th century

Etching - 17th century

Hollar vs. Lindauer So, you think Gottfried Lindauer is the most significant Czech artist in Te Papa’s collection? Wrong, certainly in terms of world fame, quantity and arguably in quality too! In Collections Online, Lindauer is trounced 68-21 by Wenceslaus Hollar (1607–77), whilst in our new Ngā Toi exhibition, Splendour, there are six Hollars alone… Read more »

Adorn yourself in Ngā Toi|Arts Te Papa!

Adorn yourself! Photograph by Carmel Russell, © Te Papa

The Learning Innovation team are very excited about the new activities featuring in Te Whare Toi in this upcoming season of Ngā Toi | Arts Te Papa. We have been playing around with the wonderful range of dress-ups for ‘Adorn yourself!’ in the office this afternoon. This activity relates to the exhibitions European Splendour 1500—1800 and… Read more »

Hello from the Tauranga Art Gallery

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  • Garments in waiting.
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  • Werta, 2005 from the Vagrant's Reception Centre wears a woollen skirt and bodice dating from c. 1895. Image courtesy of Yvonne Todd.

In 2014 I was invited by the City Gallery in Wellington to curate a ‘Frock Room’ as part of Creamy Psychology, a major retrospective exhibition of photographer Yvonne Todd. The ‘Frock Room’ featured glamorous gowns from Todd’s personal collection which she used to create portraits of various women, real and imagined. I am currently working with Yvonne… Read more »

Conserving and dressing 18th c. Splendour

  • Here we are carrying out the final fitting of both the dress to unsure that the garment is properly supported but not under any stress. At this point we can also adjust the final height of the ensemble and check the silhouette that has been created. Photo by S. Gatley, copyright Te Papa.
  • The near-finished mount, complete with silk petticoat, jersey top cover and sleeve supports. There are strong small magnets attached to the front which will hold the bodice section in position- These are needed as the dress doesn’t have any buttons or other fastening. The opposing magnets will be placed on the outside of the garment. These should be difficult to see as they will be coloured to match the dress.
  • The torso after it has been padded into the correct size and period shape. There is a cotton tube underskirt to hold out the multiple layers of net underskirts instead of legs! Photo by S. Gatley, copyright Te Papa.
  • The mannequin torso with the bust and waist cut away. A cotton cover is attached to the newly shaped form ready for padding to be stitched into place. Photo by Sam Gatey, copyright Te Papa.

A co-authored post by Anne Peranteau, Textile Conservator and Sam Gatley, Costume Mountmaker Historic dress, historic problems In 1951, Te Papa was given three 18th century dresses, all dating to approximately 1780.   Our work in the textile lab is currently focused on preparing two of these gowns for display in the Splendour module of Nga… Read more »

Old jersey, new knickers

Housewife’s guide to making and mending, 1940, London, by Hulton Press. Te Papa (RB001288)

Mending is something of a lost art In this day and age – clothes are plentiful and can be bought cheaply. But in England in the 1940s it was an absolute necessity, given that new clothes were limited by the amount of clothing coupons you had. By 1945 an adult was down to 24 coupons… Read more »

Fashion Revolution Day

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This Sunday marks Fashion Revolution Day. Any one can take part. All you need to do is ask one simple question: ‘Who made my clothes?’ Fashion Revolution Day and Week was founded by people within the fashion industry in response to the collapse of the Rana Plaza garment factory in Dhaka, Bangladesh on 24 April 2013. 1,134 people were killed and over 2,500… Read more »

Annual Costume & Textile symposium: registrations open

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The Costume & Textile Association of New Zealand has just opened registrations for its symposium which is taking place at Massey University, Wellington on 7- 8 July. The year’s theme, Nature Now, provides the opportunity to explore historical, contemporary and even future connections between nature, dress and textiles. The symposium is open to members and non-members alike. Held annually, it… Read more »