Posts categorized as Design History

Design students inspired by Te Papa’s collections

Botanical inspired placement embroideries by Verity Morison, Fern Grant and Lauren Ewan, 2016. Photo by Claire Regnault.

Each year, the history curators take design students from Massey University though Te Papa’s collections behind the scenes. The students choose an item to inspire their own design and it’s around this time of year we see what they’ve created. Curator Claire Regnault shares some of the fabulous designs.  Refashioning the national wardrobe Each July students from Massey University’s second… Read more »

Curator Claire Regnault discusses the declaration that ‘fashion is dead’ – a question at the heart of this year’s End of Fashion conference, hosted in Wellington. In 2015 Li Edelkoort, a highly regarded trend forecaster, made international headlines with her declaration that fashion is dead. To support her claims she published an anti-fashion manifesto in which she… Read more »

A Children’s Guide to Splendour by Pukerua Bay School Museum

A Children's Guide to Splendour by Isaac du Toit, edited by Paddy Rockwell.

Written for children, by children, Te Papa’s Learning Innovation and Art teams are very excited to share the first book produced by our friends from the Pukerua Bay School Museum. This guide is full of great information relating to life in Europe in the 16th to 19th centuries – inspired by the taonga (treasures) on display in the European Splendour… Read more »

Remembering Avis Higgs: painter, designer, and ‘a truly awesome woman’

Swan Top, from Laurie Foon's 2005 collection Black Swan. The textile design was created by Avid Higgs in the 1940s.

Last week, we received the sad news that Avis Higgs had passed away just a few days after celebrating her 98th birthday. Avis Higgs was known to many as a painter. She was actively involved in the Architectural Centre Gallery, the New Zealand Academy of Fine Arts and the Watercolour Society of New Zealand.  She is also… Read more »

Pukerua Bay School Museum visit European Splendour

Entering Splendour, Photograph by Justine Olsen, © Te Papa

The European Splendour 1500-1800 exhibition opened on Friday 16 September in Ngā Toi | Arts Te Papa. Our friends from Pukerua Bay School Museum: Aurelia (aged 9), Paddy (aged 11), Isaac (aged 12) and their teacher Cat Lunjevich, came to visit and spent time in conversation with our curators Justine and Mark. They have kindly written this post… Read more »

Conserving and dressing 18th century dresses

  • The Ladies Waldegrave, Sir Joshua Reynolds, 1780. National Gallery of Scotland NG 2171. Oil on canvas.
  • Here we are carrying out the final fitting of both the dress to unsure that the garment is properly supported but not under any stress. At this point we can also adjust the final height of the ensemble and check the silhouette that has been created. Photo by S. Gatley, copyright Te Papa.
  • The near-finished mount, complete with silk petticoat, jersey top cover and sleeve supports. There are strong small magnets attached to the front which will hold the bodice section in position- These are needed as the dress doesn’t have any buttons or other fastening. The opposing magnets will be placed on the outside of the garment. These should be difficult to see as they will be coloured to match the dress.
  • The torso after it has been padded into the correct size and period shape. There is a cotton tube underskirt to hold out the multiple layers of net underskirts instead of legs! Photo by S. Gatley, copyright Te Papa.

Textile conservator Anne Peranteau, and costume mount maker Sam Gatley describe the process of preparing two 18th century dresses for display in exhibtion. Historic dress, historic problems Anne Peranteau – In 1951, Te Papa was given three 18th century dresses, all dating to approximately 1780. Our work in the textile lab is currently focused on preparing two of these… Read more »

Paul Annear (1947-2016)

Black and white photo of Paul Annear

Studio jeweller, craftsman Te Papa sadly bids farewell to contemporary studio jeweller Paul Annear who passed away on 24 April in Phnom Penh, Cambodia. Characterful and enigmatic, Paul loved materials and the process of craft making. He studied anthropology and psychology at the University of Auckland- subjects that helped inform his jewellery in the years… Read more »

Fashion Revolution Day

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This Sunday marks Fashion Revolution Day. Any one can take part. All you need to do is ask one simple question: ‘Who made my clothes?’ Fashion Revolution Day and Week was founded by people within the fashion industry in response to the collapse of the Rana Plaza garment factory in Dhaka, Bangladesh on 24 April 2013. 1,134 people were killed and over 2,500… Read more »

Annual Costume & Textile symposium: registrations open

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The Costume & Textile Association of New Zealand has just opened registrations for its symposium which is taking place at Massey University, Wellington on 7- 8 July. The year’s theme, Nature Now, provides the opportunity to explore historical, contemporary and even future connections between nature, dress and textiles. The symposium is open to members and non-members alike. Held annually, it… Read more »

Thinking through time – Inspired: Ceramics and jewellery shaped by the past

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On Friday March 18 Te Papa opens a new exhibition on Level 6:- Inspired: Ceramics and jewellery shaped by the past. The exhibition draws on contemporary and historic objects from Te Papa and considers how objects can be connected across time. The phrase ‘thinking through time’ relates to an important part of the practices of… Read more »