Posts categorized as Conflict and Identity

The Battle of the Somme, September 1916: survival and loss

copy-of-a-portrait-of-norman-cummins-1916-1917-wellington-by-william-berry-purchased-1998-with-new-zealand-lottery-grants-board-funds-te-papa-b-045351

Guest blogger and long-serving, recently retired Te Papa history curator Michael Fitzgerald introduces the Battle of the Somme, and one man who survived the ferocious fighting that occurred there 100 years ago and another – one of Te Papa’s ‘Berry Boys’ – who lost his life. As visitors leave Gallipoli: The scale of our war… Read more »

Dissent during the First World War: by the numbers

Socialist Cross of Honour no. 5 awarded to J K Worrall, courtesy of Jared Davidson

Guest blogger Jared Davidson asks how historians and others have measured and defined dissent, sedition and conscientious objection to military conscription during the Great War. The new statistics he arrives at will surprise you. Jared opens his blog with the numbers of individuals known to have opposed conscription (and compulsory military training) even before the declaration of war in 1914,… Read more »

Max Gimblett and ‘The Art of Remembrance’

  • Large Quatrefoils_02_2
  • 'The Art of Remembrance', St David’s Memorial Church, Auckland, 2015. Photo: Jessica Chloe Photography. Courtesy of Max Gimblett ONZM and The Friends of St David’s Trust
  • 'The Art of Remembrance', St David’s Memorial Church, Auckland, 2015. Photo: Jessica Chloe Photography. Courtesy of Max Gimblett ONZM and The Friends of St David’s Trust
  • Gimblet Rememberance Upfront_49

On display as part of Ngā Toi | Arts Te Papa is an exhibition called The Art of Remembrance, featuring the work of contemporary New Zealand artist Max Gimblett ONZM. This blog post gives some more information about the project and its earlier incarnation as a public art project in Auckland last year.   The exhibition contains… Read more »

St David’s church and the history of the art of remembrance

Detail showing quatrefoils in Max Gimblett's 'Art of Remembrance'. St David's Church, Auckland, 2015 from Art of Remembrance website

Last year, thousands of bronze quatrefoils transformed the exterior of Auckland’s St David’s Presbyterian Church in Khyber Pass (see detail here). This was Max Gimblett’s World War One commemorative project ,‘Remembrance’. The connection between the church and war remembrance has a long history. In 1920, parishioners decided to replace their current place of worship with… Read more »

How Many New Zealanders Landed on Gallipoli? The Story Continues

Saying goodbye to mates before leaving Gallipoli. Photo by Norman Prior. Wairarapa Archive

Dr Chris Pugsley, the Historical Director of Gallipoli: The scale of our war provides some background as to why he stood by the use of the original official figures to calculate a 93% casualty rate for the NZEF on Gallipoli: As Historical Director of the Gallipoli: The Scale of our War Exhibition at Te Papa… Read more »

Gallipoli: The scale of our war marked its first anniversary this week, on Monday 18th April. The phenomenal numbers visiting the exhibition have left an enormous number of poppies in the shell crater occupied by Cecil Malthus. Skimming the poppies from this ‘pool’ – to stop them from spilling into the gallery and causing a tidal surge… Read more »

Brothers and sisters: The scale of our war

  • Hospital at the Featherston Military Camp. Photograph taken by Frederick George Radcliffe between circa 1914-1918. National Library, New Zealand 1-2-005955-G,
  • Letter to Leddie Le Gallais returned to Lottie Le Gallais. Tāmaki Paenga Hira Auckland War Memorial Museum (MS 95-11 folder 3)
  • Lottie Le Gallais, about 1913. Photographer unknown. Tāmaki Paenga Hira Auckland War Memorial Museum (PH-95-02)
  • Lottie Le Gallais, about 1913. Photographer unknown. Tāmaki Paenga Hira Auckland War Memorial Museum (PH-95-02)

Through military nursing, a group of more than 500 New Zealand women participated directly in the Great War, including Lottie (Charlotte) Le Gallais, who is our seventh larger-than-life figure in Gallipoli: The scale of our war (above). This blog is about her war and the impact it had on the Le Gallais family. Lottie was on… Read more »

Doubling the scale of our war

  • Comparative casulty rate on Gallipoli. Photograph by Kirstie Ross
  • Numbers of NZers landing on Gallipoli. Photograph by Kirstie Ross
  • Sister Lottie Le Gallais. Photograph by Norm Heke
  • Sister Charlotte Le Gallais WWI 22/137 from Archives NZ personnel file

On Monday 21 March, I eagerly read the results of an intensive research project that gives us the clearest indication, to date, of the number of New Zealanders that served on Gallipoli. This research, undertaken by the Ministry for Culture and Heritage and the New Zealand Defence Force, reveals that the total number of New… Read more »

Painting by numbers: creating a colonial masterpiece

William Strutt’s View of Mt Egmont, Taranaki, New Zealand, taken from New Plymouth, with Maoris driving off settlers’ cattle, 1861 has been described by some as the ‘holy grail’ of colonial New Zealand painting. Paintings of this calibre are few and far between in New Zealand’s art history, as budding artists were more often preoccupied… Read more »

…it won’t be a lonely walk” – commemorating the 40th anniversary of the ‘Not One Acre More’ hīkoi

  • Maori Land March
  • Maori Land March
  • Maori Land March
  • Maori Land March, 1975, Wellington, by Ans Westra. Purchased 1993 with New Zealand Lottery Grants Board funds.  Te Papa (O.010219/02)

The 13th of October marks the fortieth anniversary of the arrival of the ‘Not One Acre More’ hīkoi (land march) on the steps of New Zealand Parliament. The hīkoi, accompanied by vehicles in support, left Te Hāpua at the top of the North Island on the 14 September 1975, and wound its way down to… Read more »