Posts categorized as Fashion

International Women’s Day – inspiring ‘women’s work’

  • Lady Plunket. S P Andrew Ltd :Portrait negatives. Ref: 1/1-014571-G. Alexander Turnbull Library, Wellington, New Zealand.
  • Binney
  • Eco Warrior Laurie Foon behind the scenes at NZ Fashion Week, 2009. Photography courtesy of Megan Robinson, Thread magazine.
  • Dress

Today is International Women’s Day. Initiated in 1910, International Women’s Day is ‘a global day celebrating the social, economic, cultural and political achievements of women’. This year’s theme is Women in the Changing World of Work. Playing with this idea, we would like to pay homage to women who have sought to create change through their work. We are… Read more »

Telling stories through fashion: A history of eco-friendly Starfish

Printed fabric samples from the Wonderland collection, Winter 2006, CA001200/004/0002. Photograph by Gareth Watkins

It’s not every day that you get to delve into the nitty-gritty details of a fashion label. Te Papa’s assistant archivist Gareth Watkins is going through Starfish’s archive, recently gifted to Te Papa. I’m sitting in a popular Wellington café with Te Papa archivist Jennifer Twist and Laurie Foon – founder of the Wellington-based Starfish fashion… Read more »

Collaboration in conservation: Deborah Crowe and Kim Fraser’s Dual Outlook

  • Kim Fraser and Deborah Crowe. Image provided by D. Crowe.
  • GH006532/4, Dual Outlook visor after treatment.
  • Underside of visor edge, showing sticky, soiled adhesive residue. The maker’s label is a separate layer and remains in place following treatment.
  • Deborah Crowe consulting on the treatment of her work in the textile conservation lab at Te Papa.

Te Papa’s textile conservator Anne Peranteau runs through the process involved in preparing a much-loved garment for public display. In March, the exhibition When Dreams Turn to Gold: The Benson and Hedges Fashion Design Awards will open at the Dunedin Public Art Gallery (DPAG). The Benson & Hedges event was New Zealand’s premier fashion competition, running for 34 years… Read more »

The treasures of Broadgreen Historic House

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Conservator Anne Peranteau visited Broadgreen, an historic house in the Stoke neighborhood, to give some advice on the display and storage of collection items. Anne tells us about some of her favourite items in the Broadgreen collections.  Last month I filled my suitcase with my tricks of the trade and headed to Nelson. I brought an assortment of… Read more »

Ten splendid objects

Colourful dish

Curator decorative art and design Justine Olsen chooses her top ten objects exhibited in European Splendour: 1500–1800. The objects below are mainly decorative and through them we see changes in style, materials, and techniques. They offer a valuable insights into a bygone age and highlight the impact of religion, trade, culture, and the way European society viewed itself…. Read more »

Picking a pocket…or two

Intern Keira Miller in the lab, preparing materials for dyeing. Photo by A. Peranteau, copyright Te Papa.

Have you ever thought about the history of the humble pocket?  This past winter, Keira Miller, an intern from the University of Glasgow’s Center for Textile Conservation, helped us with the treatment of some detachable 18th century pockets for the exhibition European Splendour 1500-1800.   Keira writes about the importance of pockets in 18th century fashion and the… Read more »

Curator Claire Regnault discusses the declaration that ‘fashion is dead’ – a question at the heart of this year’s End of Fashion conference, hosted in Wellington. In 2015 Li Edelkoort, a highly regarded trend forecaster, made international headlines with her declaration that fashion is dead. To support her claims she published an anti-fashion manifesto in which she… Read more »

Catwalk couture in detail

  • The sheer Versace day dress at far right (GH013642), on display in April 2001 alongside three other Versace dresses in Te Papa's collection.
  • Day dress, 1997, Milan, by Gianni Versace. Gift of Gianni Versace S.p.A., Italy, 2001. Te Papa (GH013642)
  • Detail of GH013642, showing sheer and opaque areas of burnout fabric. Photo by A. Peranteau, copyright Te Papa.
  • 2001 cartoon commentary on Te Papa's Versace exhibition.

Catwalk glamour This week I’ve been working on couture garments that are destined for display at Expressions in Upper Hutt. The Catwalk to Cover exhibition will include fashions from Te Papa’s collection by international and New Zealand designers alongside photographs that capture the dynamism, creativity and glamour that epitomize the runway fashion show experience. The… Read more »