Posts categorized as Photography collection

A very reuseable view – Muir and Moodie’s Whanganui River postcards

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A special part of Te Papa’s new rehang of Framing the View (part of Nga Toi Arts Te Papa on level 5 of the museum) is a photography feature on the Whanganui River’s ‘Drop Scene’. Here I want to share the journey of one image of the river taken by Dunedin photography studio, and postcard publishers, Muir &… Read more »

The image above is my favourite from a WWI album with photos by NZ soldier Herbert (Bert) Green. The group seems just perfectly composed. There is also the sense of it being two photographs somehow layered together, with another scene unfolding quite independently behind the soldiers. The way the hat of the man at right veers towards… Read more »

Official photographs and reading Herman Wollerman’s postcard

Takapau Divisional Camp 1914, photographic postcard, Hawke's Bay, by James Daroux, Te Papa PS.003297

Can you spot the arrow in the sky? This photographic postcard by photographer, James Daroux, was sent by Herman Wollerman to his father in Wellington from the Takapau Divisional training camp in the Hawkes’ Bay in May 1914. The camp was one of an annual series of training exercises organised by the New Zealand Territorial Forces from 1912 to… Read more »

Choose your favourite World War I objects from Te Papa Press’s new book Holding on to Home

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One designer, two authors, nine chapters, 28 library, archive and museum collections, and more than 300 illustrations: these are some of the ingredients that have gone into Holding on to Home: New Zealand Stories and Objects for the First World War which was launched by Te Papa Press last night. When the First World War began,… Read more »

No photographers in Revell Street?

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The novel The Luminaries is set in Hokitika in 1866 with most of the story taking place amongst a selection of businesses in Revell Street. The mystery is relayed, distorted and formed through different conservations and social interactions between the characters. However missing from the numerous businesses portrayed in the book is a photographic studio, and… Read more »

Highly sensitive – 19th August 175 years ago

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At 3pm on the 19th August 1839, a joint meeting of the Academie des Sciences and the Academie des Beaux-Arts, heard from the politician and scientist, François Arago, about the details of a process that produced unbelievably fine detail and extraordinarily subtle tonality. Louis Daguerre, who had been working on a light-sensitive process for about… Read more »

Berry Cover Boys

 Gerald Gower (left) and Alfred Featherston Gower (right) are the two brothers who grace rather strikingly the cover of Berry Boys: Portraits of First World War Soldiers and Families by Michael Fitzgerald and Claire Regnault. The studio paraphernalia you see in the image above would have been cropped out in prints made from the original… Read more »

Limbless, but not jobless or hopeless

  ‘Limbie’ is a word you don’t hear today. It seems a bit blunt to us now but, during and after World War I, it was an acceptable, informal term used to describe a limbless soldier – an ex-serviceman who lost a limb in the conflict. (Over 1000 New Zealand soldiers had to have limbs… Read more »

Berry Boys: First in, first served

Early enlister John Jessen (above) was the first of the soldiers photographed by Berry & Co to enlist for service. The 23-year-old signed up on 8 August 1914, just two days after the Defence Department invited single men between the ages of 20 and 35, weighing not more than 12 stone (76kg), to volunteer for… Read more »