Posts categorized as Art

Lecture: Arpilleras: Evolution and Revolution

Olla común en una población/Soup kitchen in a barrio
Chilean Arpillera, Taller Fundación Missio, Santiago, 1982 Photo Martin Melaugh

Chilean curator Roberta Bacic is a keynote speaker at the Third International Visual Methods conference in Wellington hosted by Victoria University and Te Papa. We are fortunate to also have her speak on the fascinating and politically-significant stories of arpilleras.     Arpilleras – tapestries or quilts sewn by women that ‘speak out’ visually about… Read more »

Eruini Te Tupe-o-Tū

Tauru Matioro Te Tupe-o-Tu, circa 1860s, Wellington. Richards, E S. Te Papa

Eruini Te Tupe-o-Tū Studio portrait by Edward Smallwood Richards of Wellington     E. S. Richards’s studio portrait of the Māori chief Eruini Te Tupe presents Eruini posed seated facing front-on to the camera arrested in time, comfortably dressed in European clothing with a kaitaka cloak arranged across his upper torso, probably by Richards. The… Read more »

Picturing the Cook Islands – George Crummer (Cook Islands Language week 2013)

  Kia orana e kia manuia tatou katoatoa, In this third blogpost of Te Epetoma o te Reo Māori Kuki Airani - Cook Islands Māori Language week, Grace Hutton (Collection Manager Pacific Cultures) shares with us some wonderful images taken by George Crummer, a photographer who worked in the Cook Islands in the late nineteenth and early twentieth centuries. Grateful thanks… Read more »

POP gets ready to pop!

Custom Components welding our promotional stand. © Open Lab

The past week has been an exciting week for Warhol: POP – Open Lab’s collaboration with Te Papa in response to Warhol: Immortal. Tickets have gone on sale, the Facebook page has launched, and our hype video has been released! We’ve been busy finalising our designs for promoting the event and building the components for… Read more »

Banks’ black and white engravings – now imaged and online!

Brachyglottis repanda Forster & G. Forster, 1895 Parkinson. A common coastal, forest and lower montane New Zealand species.

  It took many hours of sorting, registration, taxonomy review, preparation and coordination, then 12 long sessions in the imaging lab.  Te Papa Science staff have now completed the online access for 2241 black & white engravings of plants collected on Captain Cook’s first voyage. The Te Papa Collection Online narratives about the Banks and Solander black and white engravings… Read more »

Venice Biennale Twilight Art Talk for Teachers

Teachers at the twilight art talk Photographer: Sarah Pitman © Te Papa

Could you name 5 artists who have shown at New Zealand’s National Pavilions in the Venice Biennale or recollect the year that New Zealand first had a National Pavilion? Do you know when the Venice Biennale first started or how many people are expected to visit this year? Teachers from the lower north island answered… Read more »

Designing POP: The Warhol Factory experience in the 21st Century

Glowing balloons create an interactive space before people step into the elevators. © Open Lab

A group of eight students from MasseyUniversity in Wellington have this amazing opportunity to work with Te Papa and Open Lab, to deliver a youth focused event which responds to the Warhol: Immortal exhibition. Open Lab is a design studio within Massey University. Open Lab is a collaborative environment and practice, where specialist and emergent… Read more »

Conservation Intern Liisi Hakala

Liisi Hakala treating the verso of a Monrad print. Photo by Jennifer Cauchi © Te Papa.

The paper conservation section of the Conservation and Object Support team at Te Papa was pleased to host Liisi Hakala, from Helsinki’s Metropolia University in Finland, for a three month internship from March to June this year. Liisi is about to enter her final year of a four-year bachelor’s degree in paper conservation. Prior to… Read more »

Being a Host in Warhol: Immortal

As Te Papa hosts we get to see, interact and work with some amazing things. Since I started 4 years ago I have been immersed in the final 24 hours of Pompeii, spent my days with works by some of the great European masters, been surrounded by the intricate tapa of the Pacific and recently… Read more »

Importance of Site

My first introduction to Bill Culbert’s work at the Biennale was deeply moving. It was the official blessing, led by Creative New Zealand’s Manager, Māori Arts Funding, Haniko Te Kurapa. As we walked through the exhibition, his prayers reverberated around the space, almost seeping into the works and the surrounding walls, forming invisible bonds between… Read more »