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Behind the scenes: installing the Collecting Contemporary exhibition

Over the last couple of weeks, we have been busy installing an updated selection of works in the Collecting Contemporary exhibition on Level 5. Collecting Contemporary is an exhibition featuring some of the contemporary New Zealand art works that Te Papa acquired between 2006 and 2011.

Read more about Collecting Contemporary

As a curator, the installation period, or changeover, of exhibitions is always an exciting time – stressful, fun, tiring, and exhilarating. Other tasks have to be put on hold while the project team concentrates on getting the show ready to open.

In this blog post, I wanted to share some behind-the-scenes photos that were taken as we installed the exhibition. I always love seeing these sorts of images from other museums – to see the craft of skilled technicians carefully installing art works and to get a sneak preview of what’s going to be on show.

Watch this space. One of the rooms before the new works are installed. On the left are two paintings by Simon Morris, Pause 4.5 and Pause 5.5, 2006. Photo: Sarah Farrar, Te Papa

Watch this space. One of the rooms before the new works are installed. On the left are two paintings by Simon Morris, Pause 4.5 and Pause 5.5, 2006. Photo: Sarah Farrar, Te Papa

Leftovers after a work has been de-installed. Photo: Sarah Farrar, Te Papa

Leftovers after a work has been de-installed. Photo: Sarah Farrar, Te Papa

Te Papa installers patch up the gallery walls. Exhibitions Co-ordinator Hutch Wilco estimates there are probably about 60 layers of paint on this particular wall from different exhibitions over the years.

Te Papa installers patch up the gallery walls. Exhibitions Co-ordinator Hutch Wilco estimates there are probably about 60 layers of paint on this particular wall from different exhibitions over the years.

Getting the equipment ready to show Lisa Reihana’s video installation Groundswell, 2005. Photo: Sarah Farrar, Te Papa

Getting the equipment ready to show Lisa Reihana’s video installation Groundswell, 2005. Photo: Sarah Farrar, Te Papa

Te Papa installer Callum prepares the gallery for a selection of works from Gesamtkunsthandwerk, a collaborative work by Karl Fritsch, Martino Gamper, and Francis Upritchard. Photo: Sarah Farrar, Te Papa

Te Papa installer Callum prepares the gallery for a selection of works from Gesamtkunsthandwerk, a collaborative work by Karl Fritsch, Martino Gamper, and Francis Upritchard. Photo: Sarah Farrar, Te Papa

Te Papa installer Sam installs a suite of works by Wellington photographer Anne Noble, Ruby’s room, 1998–2007. Photo: Sarah Farrar, Te Papa

Te Papa installer Sam installs a suite of works by Wellington photographer Anne Noble, Ruby’s room, 1998–2007. Photo: Sarah Farrar, Te Papa

Te Papa installers Brad and Callum install the suspension rig for Jim Allen’s works. Photo: Te Papa

Te Papa installers Brad and Callum install the suspension rig for Jim Allen’s works. Photo: Te Papa

It’s a team effort. Art Collection Managers Lucy and Frances lend a hand. Photo: Te Papa

It’s a team effort. Art Collection Managers Lucy and Frances lend a hand. Photo: Te Papa

Thank you to all the crew who worked on getting this show ready and, especially, a heartfelt thank you to each of the exhibiting artists.

If you happen to be in Wellington, please pop in and visit the exhibition. It’s free and on Level 5.

Out-of-towners, check out the show online

See video interviews with some of the artists

Sarah Farrar

Curator, Contemporary Art

An eye for the unexpected: Don Driver (1930-2011)

The Art team here at Te Papa are saddened by the news that contemporary New Zealand artist Don Driver passed away yesterday morning in New Plymouth. Although Don had been ill for some time, this sort of news always catches you off guard.

Artist Don Driver in his studio, New Plymouth, March 2004. Photo: Jim and Mary Barr, reproduced with permission.

Artist Don Driver in his studio, New Plymouth, March 2004. Photo: Jim and Mary Barr, reproduced with permission.

Te Papa has a considerable number of works by Don Driver in the collection, including the terrific Lawn cuttings (1976), the large-scale installation Ritual (1982), and the banner work Blue and green Pacific (1978), among others. See all works by Don Driver in Te Papa’s collection

As Curator of Contemporary Art at Te Papa since November 2010, I have had the opportunity to spend a lot of time looking and thinking about Don Driver’s work. As I have been getting more familiar with his works in Te Papa’s collection, I have been – in turns – stunned, delighted and perplexed by Don’s singular vision and his approach towards art making.

I had been intending to make a trip to New Plymouth to visit Don and his wife Joyce a couple of months ago. For various reasons, the trip was postponed and I am sad to have lost the opportunity to personally meet this incredible artist.

Don Driver, Yellow skin 90, 1984, mixed media assemblage. Purchased 1985 with New Zealand Lottery Board funds, Te Papa

Don Driver, Yellow skin 90, 1984, mixed media assemblage. Purchased 1985 with New Zealand Lottery Board funds, Te Papa

In celebration of Don Driver’s remarkable work and to acknowledge his contribution to contemporary New Zealand art, Te Papa will install one of his classic assemblages, Yellow skin 90 (1984) next week within the Collecting Contemporary exhibition on Level 5. (Although Collecting Contemporary is Te Papa’s exhibition of recent acquisitions since 2006, we hope that you don’t mind us making this exception to the rule.)

There will be an opportunity to see Ritual early next year when Te Papa lends the work for the exhibition The Obstinate Object: Contemporary New Zealand Sculpture at City Gallery Wellington.

Our thoughts are with Don’s wife Joyce, their family, and friends.

Sarah Farrar
Curator of Contemporary Art

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