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Taku reo ko toku akairo: celebrating Cook Islands language week 2012

Cloak; FE000628; Gift of Te Aia Mataiapo, 1872; Te Papa

Cloak; FE000628; Gift of Te Aia Mataiapo, 1872; Te Papa

To celebrate Cook Islands language week (6 -10 August), the Pacific Cultures team will be blogging about collection items from the Cook Islands. Language is a key element of culture and helps us give meaning to things we use and create in everyday life – from artworks to costume to performance and song. Keep an eye on the Te Papa blog over the next seven days, for insight into the language and culture of the Cook Islands!

A highlight of this week will be back of house tours of the Pacific Cultures Collection store room.

Dates: Wednesday 8 August 2012 and Friday 10 August 2012
Time: 12 noon
Meeting place: Front entrace foyer of the Museum of New Zealand  Te Papa Tongarewa

Bookings to be made to Grace Hutton on (04) 381 7221 or graceh@tepapa.govt.nz

For more information about Cook Islands language week, please view the Ministry of Pacific Island Affairs website link below: http://www.mpia.govt.nz/celebrate-cook-islands-language-week-6-10-august-2012/

Read more about a Cook Islands dance costume in Te Papa’s collection: http://blog.tepapa.govt.nz/2010/03/26/dance-costume-cook-islands-style/

Meitaki Ma’ata!

Battle shields from Chimbu (Simbu): a new acquisition

Shield; Papua New Guinea; FE012615; Purchased 2011; Te Papa Tongarewa

Shield; Papua New Guinea; FE012615; Purchased 2011; Te Papa Tongarewa

These battle shields from Chimbu (Simbu) in the Papua New Guinea Highlands were collected by a New Zealand couple who spent nearly a decade teaching in the country until their return to New Zealand in 2009. The shields are significant for their cultural value and use in warfare among the Chimbu. They also have a strong visual presence. 

Shield; Papua New Guinea; FE012616; Purchased 2011; Te Papa Tongarewa

Shield; Papua New Guinea; FE012616; Purchased 2011; Te Papa Tongarewa

In terms of their provenance they contribute to one of our tasks of documenting the important work of New Zealanders in the Pacific through material culture they collect. The museum has a small number of shields from Papua New Guinea. They date from the late 1800s and early 1900s with a few from the 1970s. These shields will be the only examples we have from Chimbu (Simbu). There is only one other artefact attributed to Chimbu in the collection, a ceramic whistle.  

These well documented shields will be useful to researchers of warfare, art and culture in Papua New Guinea.

Recalling the splendour of Samoan oratory: Lauaki Namulau’ulu Mamoe

To celebrate le vaiaso o le gagana Sämoa (Sämoan language week) the Pacific Cultures curators are highlighting stories related to cultural treasures from Sämoa.

Portrait of Lauaki Namulau'ulu Mamoe; 1909; O.001123; Te Papa

Portrait of Lauaki Namulau’ulu Mamoe; 1909; O.001123; Te Papa

This image of Lauaki Namulau’ulu Mamoe (b. 1850s? – d. 1915) taken by photographer Thomas Andrew is dated 1909. This was the same year Lauaki was exiled to Saipan, in the Northern Marianas by the Imperial German government in Samoa.

Lauaki was known throughout Samoa for “his mastery of history and legend, for his talents as a speaker and political negotiator, and for his prowess in war” (Davidson 1970: 267-268). He went on to lead an important political movement, called the Mau of Pule (the Opinion of Pule). The term Pule was the collective name, given to a number of influential orator groups on Savai`i.  The tulafale and tulafale ali`i of Pule spoke for the principal nu`u and district of Savai`i as a whole, and served it’s ranking ali`i.

The aim of the Mau of  Pule was to challenge German rule, and try to secure for Samoans more involvement in their own affairs of government. Under Lauaki’s leadership, the movement was initially successful, but struggled due to factionalism. In 1909 and because of his resistance to the colonial authority, Dr Wilhelm Solf the German Governor at the time took Lauaki into custody. Later Lauaki along with nine other chiefs, and their families were exiled to Saipan in the Mariana Islands, as punishment for refusing to give up their opposition. Six years later in 1915, the New Zealand government sent a ship to bring Lauaki and his supporters home. But tragically Lauaki died during the return voyage from dysentery.

Writing in 1970, historian James W Davidson noted that Lauaki Namulau`ulu Mamoe was still well remembered with respect: “In Saipan, where the exiles maintained the conventions of their homeland in a village they built near Tanapag, the commanding figure of their leader has not yet been forgotten. In Samoa, old men recall the splendours of his oratory” (Davidson 1970: 298).

Click on this link to view an image of Lauaki and his family: http://www.flickr.com/photos/15693951@N00/2673833385/in/photostream/

References

Davidson, J. “Lauaki Namulau’ulu Mamoe: a traditionalist in Samoan politics” Davidson, J. and Scarr, D (eds.) Pacific Islands Portraits.  (Canberra: Australian National University Press, 1970).

Hempenstall, P. and Mochida, P. The lost man: Wilhelm Solf in German history. (Wiesbaden: Harassowitz, 2005)

Hempenstall, P. and Rutherford, N.  Protest and dissent in the colonial Pacific. (Suva: Institute of Pacific Studies of the University of the South Pacific, 1984)

Meleisea, M. The making of modern Samoa.((Suva: Institute of Pacific Studies of the University of the South Pacific, 1987)

Selu la’au (wooden comb) from Sämoa

To celebrate le vaiaso o le gagana Sämoa (Samoan language week) the Pacific Cultures curators are highlighting stories related to cultural treasures from Sämoa.

Selu la’au (wooden comb); FE000887; Gift of Alexander Turnbull, 1913; Te Papa

Selu la’au (wooden comb); FE000887; Gift of Alexander Turnbull, 1913; Te Papa

Selu la’au or selu pau as it is commonly known, were ornamental carved wooden combs made from the late 1800s using metal tools. A variety of wood was used; pau or manapau (Mammea odorata), toi (Alphitonia zizyphoides), toa (Casuarina equisetifolia) or ifilele (Intsia bijuga). These wood species were also used to carve household furniture, va’a (canoe) and foe (paddles).

To carve the selu la’au designs, a fretwork technique was used which required cutting holes into the piece of thin wood to create intricate patterns. Selu la’au were placed in the hair for ornamental purposes.   

Portrait of a Samoan woman; O.001021; Te Papa

Portrait of a Samoan woman; O.001021; Te Papa

This selu dates from the 1800s and was gifted to the museum by Alexander Turnbull in 1913.

 

Remembering Malifa School in Samoa

To celebrate le vaiaso o le gagana Sämoa (Samoan language week) I have decided to draw attention to a small handbook which was gifted to the museum in 1954.

Malifa handbook; FE010588; Te Papa

Malifa handbook; FE010588; Te Papa

The front cover of this handbook indicates that it was presented to Mr and Mrs D A J Rutherford in 1936. The Rutherfords had arrived in Sämoa in 1919 when Mr Rutherford or Latafoti, as he was also known, was appointed superintendent of schools. Previously he had been headmaster of Highcliff School near Dunedin, before taking up his position as headmaster of Leififi School, the first government school in Sämoa established for local European children and children of expatriates.

Malifa was the second government school established during the German period in Sämoa, and was started by church minister Faletoese in 1908. It was intended for Samoan children. In 1909 a boarding school for the sons of matai (chiefs) was added to the Malifa compound. It was the first school to organise a kilikiti (cricket) team in 1921. During Latafoti’s time, a number of Grade 2 schools was set up. However student numbers in classes continued to rise due to increasing interest in education.

Malifa handbook; FE010588; Te Papa

Malifa handbook; FE010588; Te Papa

The handbook has hand-drawn images on the front cover and seven pages of handwritten text inside. It describes a series of small models of household utensils and furniture indexed from A to V that was presented to the Rutherfords. Some of the items included; ‘au (tattooing instrument), aufana (bow and arrow), falalili’i (mat), pate (cricket bat) and to’i (stone adze).

This handbook was presented to Mr and Mrs Rutherford upon their leaving Sämoa in 1936. Written by a student, this object is a good example of how New Zealand policies in the early 1900s influenced Sämoa’s educational system.

Fresh on the bookshelf – Tangata o le Moana: New Zealand and the People of the Pacific

Tangata o le Moana: New Zealand and the People of the Pacific, Te Papa Press, 2012

Aotearoa New Zealand is home to a large Pasifika population. This illustrated collection of essays is the first of its kind to tell their stories – from the legendary feats of the ancestors of modern Māori, to the politically explosive dawn raids of the 1970s, and beyond.

This beautiful book is lavishly illustrated with hundreds of historical and contemporary photos and archival documents. Drawing on a rich cache of oral history, it is a fresh and surprising record of over a thousand years of discovery, encounter, and cultural exchange. The research for this book commenced in 2003 and produced a major  exhibition which opened in 2007.

For more information about the book click on the image above.

To view details about the exhibition Tangata o le Moana: The story of Pacific people in New Zealand  click on the image below.

Mannequin (Marquesan warrior), 1959, White, Gordon, Wellington. © Te Papa.

New Exhibiton – Oceania: Early Encounters at Te Papa

This coming Saturday, 6 August 2011 is the opening of the combined Oceania exhibition between Te Papa and Wellington City Gallery.

For more information about both exhibitions and events see http://www.oceania.org.nz/pages/default.aspx

Te Papa’s exhibition titled Early Encounters will showcase a range of taonga and objects from History, Maori, Pacific Cultures, Art and Natural Environment collections.

The three month long show will be open during the Rugby World Cup and is part of the Real New Zealand Festival.

Some of the Pacific Cultures collection  include:

Cope; made by Women of Gona, PNG, 1962; Purchased 1999; Te Papa; FE011266

Cope; made by Women of Gona, PNG, 1962; Purchased 1999; Te Papa; FE011266

 
Tamtam (slit drum); Vanuatu; FE010556; Te Papa

Tamtam (slit drum); Vanuatu; FE010556; Te Papa

 
Tivaevae taorei; FE011982; Purchased 2007; Te Papa

Tivaevae taorei; FE011982; Purchased 2007; Te Papa

Brian Brake Photographs in Fiji and Tonga during the Royal Visit, 1953

Before the closing of the Brian Brake: Lens on the World exhibition on Sunday 8th  May, I thought it might be nice to share a few images of Brian’s work in Fiji and Tonga during the Royal visit of  Queen Elizabeth and Prince Phillip from 1953 to 1954. Although these images are not part of the exhibition, they document an important event of the time.

Fiji, Royal Tour, 1953

Fiji, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Fiji, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Fiji, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Fiji, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Tonga, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Tonga, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Click on the link to view video footage of the royal visit filmed by the National Film Unit: http://www.nzonscreen.com/title/royal-visit-to-the-kingdom-of-tonga-1954  Also see:’Royal visit to Fiji’ (Pictorial Parade no.15), National Film Unit, 1954, 35mm, b/w, 24 minutes (camera)’Royal visit to Tonga’ (Pictorial Parade nos 16-21), National Film Unit, 1954, 35mm, b/2, 27 minutes (camera)”The Royal Tour of New Zealand 1953-1954′ (Pictorial Parade nos 16-21), National Film Unit, 1954, 35mm, b/2, 27 minutes (camera)  For information on the Brian Brake exhibition and accompanying book click on the link below:http://www.tepapa.govt.nz/brianbrake

2011 Māori and Pacific Textile Symposium

Māori & Pacific textile symposium banner

2011 Māori and Pacific Textile Symposium

The beating of aute, or tapa, is a heartbeat that resounds across the ocean of Kiwa. The harakeke of Aotearoa, symbolising family, acknowledges the relationship of the Pacific people as one, through weaving. These genealogical and material connections will be explored at the inaugural 2011 Māori and Pacific Textile Symposium, hosted by Te Papa.

Whatu Raranga a Kiwa, Understanding and Uniting Māori and Pacific Textiles
Friday 10 and Saturday 11 June 2011, Te Papa

You are invited to submit abstracts of no more than 300 words on the theme of ‘Whatu Raranga a Kiwa, Understanding and Uniting Māori and Pacific Textiles’. We look forward to receiving thought-provoking and inspirational papers that will encourage discussion and unite people’s passion for textiles.

For more information see the website: http://www.tepapa.govt.nz/WhatsOn/allevents/Pages/MaoriandPacificTextileSymposium.aspx

Documenting Samoan to’i ma’a (stone adzes)

Since 2009, Roger Rasmussen, alongside his role as a Te Papa host, has vounteered to re-house, measure and photograph a collection of to’i ma’a (stone adze)  from Samoa which were gifted to the museum by Rhys Richards in 1991.

Because of Roger’s important work, the images of the collection are now available for viewing on Collections Online.

Roger Rasmussen, 2009

Roger Rasmussen, 2009

In May last year, Rhys Richards, a local scholar, and former High Commissioner to the Solomon Islands and Samoa, visited the Pacific Cultures collection store. He had collected the to’i ma’a in the 1980s from the villages of Solosolo, Lufilufi and Luatuanu’u. The individual to’i ma’a were surface collected by children in the village.  Rhys later published a paper on the collection in the journal of Archaeology in New Zealand (1990).
To’i ma’a were often lashed to a wooden handle, and were used for cutting and shaping wooden items such as bowls and canoes.
To’i ma’a (hafted adze); Samoa; Te Papa Tongarewa; FE001540; Gift of J. Fleck

To’i ma’a (hafted adze); Samoa; Te Papa Tongarewa; FE001540; Gift of J. Fleck

This important collection of about 700 to’i ma’a, provides an opportunity for more research around Samoan tools and society, which includes work by archaeologists Roger Green and Janet Davidson in the 1960s.

To'i ma'a (stone adze); Samoa; Te Papa Tongarewa; FE009629; Gift of Rhys Richards, 1991

To'i ma'a (stone adze); Samoa; Te Papa Tongarewa; FE009629; Gift of Rhys Richards, 1991

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