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On First Looking into Chapman’s Homer

Michael Parekowhai’s Venice Biennale exhibition installation at Te Papa

Michael Parekowhai’s Venice Biennale exhibition On First Looking into Chapman’s Homer opened at Te Papa on Friday. The installation looks stunning, clustered in the middle of the space and the sound with the acoustics of the gallery with that high ceiling is wonderful.

The exhibition is only on for a month till September 23 2012, so a short exhibition period. I hope many people come in to experience this installation while it is here.

It is the first time the three major elements of Michael’s installation have been shown in one gallery space – the two black bronze replica piano’s and bulls and He Korero Purakau mo Te Awanui o Te Motu; story of a New Zealand river, 2011, the elaborately carved red ‘Maori piano’ – the playable steinway concert grand.

It is also perhaps the last time for a little while that this installation will be seen together.

Arnold Manaaki Wilson

Arnold Manaaki Wilson
1928–2012
Ngāi Tūhoe and Te Arawa iwi (tribes)
Artist

Arnold Wilson in his studio. Photo: Norman Heke, Te Papa

Arnold Wilson in his studio. Photo: Norman Heke, Te Papa

Ahakoa ruarua noa o kupu i takoto
Anō te rite he whakatauākī te reka
I puta ai āu mahi tohungatanga
I runga i te tatangi o te kī.
Tirohia mai rā aku pewa
I taurite tēnei ka tītoko
Kei te ngaru whakateo
E tere atu rā i Ohinemataroa
Kia tū mai koe Parekohe
Me koe Taiarahia tāria ake rā
Kia rite tonu ki te mata rākau
He wā poto noa
Kia whakatau ake au
Ki runga o Maungapōhatu
E kore a muri e hokia.

Dr Arnold Manaaki Wilson was one of the pioneers of modern Māori art. Of Ngāi Tūhoe and Te Arawa descent, Wilson was the first Māori artist to graduate from the University of Auckland’s Elam School of Arts. In 1955, he gained a Diploma of Fine Arts with first class honours in sculpture.

Wilson was influential as an artist, educator, and mentor. He was one of a group of artists – including Ralph Hotere, Muru Walters, Selwyn Muru, Paratene Matchitt, Fred Graham, and the late Katarina Mataira and Cath Brown – who became known as the Māori modernists. They were the first generation of Māori artists to engage with the styles and forms of international modern art, and to experiment with new ideas about the style and function of Māori art.

As ambassador, advocate, agent provocateur, educator, and exemplar, Arnold Wilson played a pivotal role in the positioning of such art in national and international forums. 

- Professor Jonathan Mane-Wheoki, Elam School of Fine Arts

In 2001, Wilson received the Te Tohu Toi Kē Award from Te Waka Toi for new directions in contemporary Māori art. He received an Arts Foundation Icon Award in 2007 and, in 2008, an honorary doctorate from AUT University, acknowledging his work in education and the arts. He was a made a Member of the said Order (MNZM) for services to Māori and the arts in the 2010 Queen’s Birthday Honours list.

Taualuga:The Last Dance

For the opening reception of the refreshed Te Papa art exhibition Collecting Contemporary held on February 22 2012, Taualuga: The Last Dance, 2006, a performance work by Samoan/Japanese artist Shigeyuki Kihara was presented.

Staged in the gallery where the Collecting Contemporary exhibition is displayed, the performance was realised alongside the video of the performance work gifted to the Te Papa art collection by the artist in 2011.

Created initially as a performance work then later as a video work, Taualuga: The Last Dance, 2006 (both performance and video) respond to a series of historical photographs taken by New Zealand photographers including John Alfred Tattersall, Thomas Andrew and the Burton Brothers during the colonial administration of Samoa by New Zealand between 1914 till 1962.  Many of the photographs referenced by the artist are held in Te Papa’s photography collection.

Using the principles of the classical Samoan dance of Taualuga – a dance of negotiation and celebration – as a form of storytelling, Taualuga: The Last Dance, 2006 is simultaenously a celebration of and a tribute to the many leaders and people of Samoa and their resilience in their struggle for independance and a lament, acknowledging the changes and losses for Samoan culture through the process of colonisation.

The work made reference to the Mau movement establised in 1908, through which Western Samoan’s began to assert their claim to independance and also to New Zealand’s occupation of Western Samoa and to the history of our (New Zealand’s) role as colonial power within the Pacific.

The sense of loss in the work and struggle for power was expressed through the wearing of a restrictive Victorian mourning dress – a style of dress introduced to Samoa by the German colonial administration in the 1900′s – and by Kihara’s attempt to perform the graceful movement associated with the Taualuga while wearing this dress.

The performance for the opening reception of Collecting Contemporary was the first showing of this work in New Zealand. An encore performance was held as a public programme event in the afternoon of the next day, so it could be experienced and enjoyed by the public.

Taualuga; The Last Dance, 2006 has been peformed previously in  selected venues including The Haus der Kulteren Der Welt, Berlin, Germany, the Musee du Quai Branly, Paris, France and at the  Metropolitan Museum of Art, New York, USA.

Both Te Papa performances were managed by Te Papa Events Producer Tai Patai and both were dedicated by the artist to the work and legacy of the late Jim Vivieaeare.  Jim was a Pacific art curator of Rarotongan and Tahitian descent, who broke ground with his seminal exhibition Bottled Ocean (1994), one of the first survey exhibitions of contemporary Pacific Island art.  Kihara’s two peformances were a fitting tribute to him.

Taualuga:The Last Dance, performance by Shigeyuki Kihara

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