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Here’s looking at you (in the dark)

Bioluminescence (light produced by living animals or plants) is common among squid – it is estimated that two-thirds of all squid genera contain bioluminescent (light producing) species. Light production using photophores (special light producing structures) can be found nearly anywhere on the body of some squid species: the most common ones are: ocular (eye) photophores; on the mantle (head and arms also); visceral photophores, funnel photophores; and photophores on the tentacles.

 

Colossal squid eye

Colossal squid eye showing the bioluminescent organ at the rear of the eyeball. © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

The colossal squid specimen has  photophores at the rear of each eyeball (ocular photophores). Smaller related cranchid squid species have ocular photophores on the lower rim of the eye: some scientists think that the light is produced to reduce the animal’s silhouette against the lighter surface waters above, and thus avoid predators who may be swimming below. Many of these species are translucent, while the eye contains dark pigments which need to be shielded.

The ocular photophore of the colossal squid however, is located at the rear of the eye; hence it is unlikely to be used in the same manner as in its smaller cousins.  We do not know how the colossal squid uses these photophores, but we can speculate that, used in conjunction with forward directed binocular vision, they may play an role in illuminating potential prey items in the total blackness of the ocean depths where the squid lives. The illumination provided by the photophores, combined with binocular vision enables the colossal squid to determine how far away its prey is before seizing it with its hooked tentacles. In contrast, the eyes of the giant squid are placed on the sides of the head, so giant squid do not have binocular vision, but instead can see both foward and behind, essential for detecting predators. 

Photophores are light emitting cells that range from simple clusters to more complex organs surrounded by reflectors, lenses, light guides, colour filters and muscles. Because only one eye out of six from the three specimens we have had for examination is intact, we chose not to dissect it, but rather preserve it for public display, so we cannot examine its structure and  determine its function until further specimens are available!

Bioluminescent light organ on the eyeball

Bioluminescent light organ on the eyeball reflecting yellowish ambient light. © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

 In a number of deep sea animals sexual dimorphism of photophores exists (males and females have different photophores), although the use and recognition of signals between the sexes is not yet understood by scientists – again, until a male colossal squid becomes available, the possibility of sexual dimorphism in colossal squid will remain a mystery.

Vision in the ocean is more challenging than it is on land because the scattering and absorptive properties of water greatly shorten the distances that light travels and affects the visible colours differently. In clear ocean water, blue light travels the furthest and is, therefore, the wavelength most favoured for visual signalling, and is the dominant colour for bioluminescent emissions. The colour of the light from the colossal squid photophores is impossible to determine from the dead and preserved specimens – until somebody meets a live specimen, we may never know!

 

 

Close-up of light organ

Close-up of the light organ. © Copyright Museum of New Zealand Te Papa Tongarewa, 2008 .

The light from the photophore is produced when a substance called a luciferin is oxidized in a chemical reaction with oxygen – this releases light and the luciferin becomes inactive until it is replaced by the animal. (This may be by the animal synthesizing the chemical itself, or by the prescence of symbiotic bacteria inside the photophore which produce the luciferin). The chemical reaction that releases the light produces virtually no heat.  Until we can study the intact eye of another specimen, we will not know exactly how the colossal squid photophore functions.

Lurking . . . while we prepare the display

The squid has been stitched as much as we can – Steve describes it as trying to sew two blocks of butter together. As we re-fill the tank with the glycol mixture we are placing bags filled with water to spread the mantle out and give it some support.

copyright Te Papa
Digitally reconstructed head (cropped) – 3262 © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

Being able to view the specimen head on gives us an idea of what meeting one of these guys would be like!

And at the centre of those tentacles is the beak . . . .

copyright Te Papa

Digitally reconstructed head - 3262 © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

Copyright Te papa

Digitally reconstructed head (detail) - 3262 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

The pale vertical stripe at the outer edge of the eye is a light organ – all the better to see you with!

The light organ is at the rear edge of the eye. It would be concealed by skin as the eyeball revolved when the squid was looking out sideways (thus hiding the light from predators or prey). As the eyes turn inward to focus directly in front of the arms and tentacles, the light organs would be exposed and provide enough light for the squid to see its prey in the darkness. Then using binocular vision it would be able to accurately judge the distance the tentacles need to move to strike and seize any hapless toothfish in range!

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Optic nerve. Copyright Te Papa

© Copyright Museum of New Zealand Te Papa Tongarewa, 2008

In the image above the eye looks forward (to the left of the image). At the rear of the 27 cm diameter eyeball is a massive nerve leading to the rear of the cranium – concealed by the leading edge of the mantle.

So long and thanks

Lowering the squid into the display tank

Lowering the squid into the display tank - 3248 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

We’re about to wrap up here for another day. Rob’s not going to start adding in the glycol until tomorrow- you can find out more about that in Rob’s post. Steve will also do some more stitching.

Sewing up cuts in the tail and mantle

Sewing up cuts in the tail and mantle - 3254 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

Then the lid will be put on the display tank and the preservation tank will be dismantled.

Bruce Marshall with the squid in the display tank

Bruce Marshall with the squid in the display tank - 3260 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

The exhibition team in the mean time will keep on designing the exhibition -getting the squid into the tank is the first step.

The Discovery Channel will also be broadcasting the documentary soon! The film crew has been with us throughout the whole process so that will be really exciting. They reckon it is going to be broadcast on the 31 August this year!

Update on opening date – Sorry no date yet but we hope to announce that in the next month or so. If you would like to join a mailing list then please email lucyr at tepapa.govt.nz.

Thanks again for watching and reading and commenting – keep you posted!

Here's looking at you

Here's looking at you - 3259 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

We have lift-off!

Word of warning – the lift is about to happen. Tune in now to see it all unfold… hopefully not literally ;)

Cosmetics (again)

Hi Mark here,

Steve and I just made some water wings just in case the students fall over in the tank!

Not! Actually to give the mantle some cosmetic shape. If you have seen the shots of the squid next to the ship you will know that she is now really a deflated version of her former self. We will place some specially shaped bags into the mantle and inflate them with water and hopefully this will give her some shape!

Hopefully

M.

Mark Fenwick with Lucy Ryan (Exhibition Project Manager) with the implant

Mark Fenwick with Lucy Ryan (Exhibition Project Manager) with the implant - 3226 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

This will also give Steve and Mark an opportunity to check the damage to the specimen and determine how much stitching will be needed. We are quite pleased how well the tissue has fixed, and it looks as though it will hold together with minimum sewing. Any sewing will be with linen thread

Formalin disposal

The formalin has been pumped out of the tank and the squid will be rinsed in fresh water before the lift on Wednesday.

Preparing the pump

Preparing the pump - 3170 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

Mark Fenwick checking the squid as the formalin level drops

Mark Fenwick checking the squid as the formalin level drops - 3171 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

The squid emerges

The squid emerges - 3172 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

The specimen looks to be in good condition (considering!). The sucker rings and hooks are intact, so the buffering of the formalin solution worked well. The rip in the mantle is larger than we thought, so turning it over on Wednesday is going to be a tricky task!

Tomorrow we will be setting up the webcams…

Preservatives

Specimens in museum collections are usually preserved in a 70 per cent aqueous solution of ethyl alcohol or in a 2-4 per cent solution of formaldehyde (5-10 per cent formalin).

The great disadvantages of ethyl alcohol are that it is flammable, it volatilizes very readily, it tends to produce precipitates from sea-water, and it causes shrinkage of many specimens. Although formalin is not flammable, and it evaporates less rapidly than ethyl alcohol, precautions to prevent desiccation are still necessary; and it has the further disadvantage that it tends to oxidize to formic acid, which may dissolve calcareous structures, and it has a very strong smell and is toxic.

Glycol experiment - squid

Glycol experiment - squid - 3169 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

Both ethanol and formalin cannot be used in large volumes in public galleries because of the hazardous nature of the chemicals. So in order to display our colossal squid we will be using a glycol solution with an antimicrobial preservative to prevent microbial growth. We have been experimenting with smaller specimens in jars. Initial results indicate the system will work quite well – although there has been some discoloration, replacing the mix with a second fresh glycol solution does not result in more leaching of the colour, so our plan to replace the glycol before the specimen goes on display should work! Specimens have been preserved for months or years in glycol, but nobody has tried preserving such a large (495 kg) specimen in glycol before, so this is quite a learning curve for us!

The glycol will be diluted to between 20-30% with water. To prevent the growth of microorganisms (which could happen as the mixture contains sufficient water to support microbes) we will add a small quantity of Dowanol preservative. This will allow us to have 5,000 litres of liquid in the public galleries, while meeting safety and health requirements.

Another concern is that if the soultion becomes acidic the hooks and sucker rings will be dissolved – to prevent this happening we will ‘buffer’ the solution with limestone chips to keep the pH neutral. Although glycol has been used successfully for long term storage of specimens on a small scale, the use of large quantities for the colossal squid is in many ways experimental, and one reason why we will be monitoring the specimen constantly while it is on display.

Squidcam’s back!

Squidcam’s back!

We’re moving the colossal squid out of formalin and into its new display tank. Webcam viewing will be available live on Wednesday 6 August starting 9am NZ time (USA: Tuesday 2pm to 5pm, UK: Tuesday 10pm), for one day only.

Check out the full programme on our website: http://www.tepapa.govt.nz/squid/

Mark Fenwick with the lifting cradle

Mark Fenwick with the lifting cradle - 3168 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

Preparations are underway for lifting the specimen out of the fixing tank. Te Papa staff Gary Dawson and Steven McStay built us a lifting frame to fit one of the whale lifting mats we have. Once we have drained the formalin, the tank will be refilled with water to rinse the specimen and allow us to position the squid on the mat. The fixing process will have made the tissues much firmer so we will be able to turn the specimen over – something we could not do before without the risk of seriously damaging it!

Moving day!

Construction of the new colossal squid display tank is almost complete, and we hope to transfer the squid into it on Wednesday 6th August.

Planning the lifting

Planning the lifting - 3167 - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

The design of a tank to safely store and display the specimen has presented Te Papa with a considerable challenge and we have been assisted by Wellman Associates Ltd in Hawera and Etech Industries in Palmerston North.

Tank dimensions are approximately 4.6m long x 1.6m wide x 0.9m deep, and the design needed to make allowance for:

  • lighting inside the tank;
  • dealing with possible air bubbles in the storage fluid;
  • it had to allow access for sampling the storage fluid to check acidity levels and for any signs of bacterial contamination;
  • there has to be flexible panels to allow for contraction and expansion of the volume of fluid with temperature changes;
  • Plus, allowing easy access for us to lift the 495 kg specimen in and out!

All of which has to be achieved while still making it easy for visitors to see the squid – including providing wheelchair access.

proposed tank design from Caldwell Engineers

proposed tank design from Caldwell Engineers - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

The specimen will be displayed with around 5,000 litres of storage solution. The total weight of the specimen, fluid and tank has meant we have had to check the floor loadings to find a suitable location for the display! Before we began, we looked at existing public displays of giant squid specimens around the world and considered two different tank types – stainless steel tanks with an acrylic lid which allow visitors to look down at the squid, but offers limited viewing from the side, or clear acrylic tanks which allow visitors to view the whole squid side on.

Finally we made the decision to build a stainless steel tank with an acrylic lid because this allows us to use more dramatic lighting without problems of reflection (an acrylic tank is much more difficult to light because of this). Any clouding of the fluid, or accumulation of debris from the specimen will be less obvious as it will sink to the bottom, and a curved acrylic lid will allow air bubbles to float to the sides and not impede the view of the squid. The mounting system for the specimen (a series of Perspex rods to hold the specimen in place) will be less obvious, and the top down view into the stainless steel tank will give more of a sense of “mystery and drama”.

The specimen has had several weeks in the formalin fixing solution, and is now much more rigid, so we will be able to handle it much easier than before when there was a risk of tearing the soft tissues. Firstly we will turn the specimen over (we still haven’t seen the top side!) and repair a split in the mantle which was damaged during the process of landing the squid on the fishing boat. Once the repairs have been made and the squid manoeuvered onto a lifting mat, we will lift it out of the fixing tank and into the display tank. We hope to have the webcam operational again, so viewers will be able to watch the process – details to come as soon as we finalise dates and times!

Proposed location of the colossal squid display in "Mountains to Sea" gallery.

proposed location of the colossal squid display in the gallery - © Copyright Museum of New Zealand Te Papa Tongarewa, 2008

The transfer of the specimen to the display tank is only the first step. Once moved to the new tank the squid will have to be mounted on acrylic supports so that it doesn’t collapse into a humongous blob at the bottom, and rotated slightly so the eye can be seen. As the beak is concealed at the centre of the arms, we will also be displaying the beak (and various other parts, such as eggs, suckers and hooks), from the smaller dissected colossal squid – all of this part of the exhibition will have to be constructed, and text and labels prepared before we can even start thinking about installation in the gallery later in the year. Construction of the tank was contracted out to E-tech Industries in Palmerston North, while most of the display will be prepared in-house at Te Papa.

Australian giant squid dissection available online

On Thursday 17th of July, Melbourne Museum (Victoria, Australia), held its first ever public dissection by museum scientists of a giant squid.  

The dissection  was performed in the Science and Life Gallery and the dissection was streamed live. A recording can be viewed here

 http://museumvictoria.com.au/About/MV-News/2008/Giant-squid-public-dissection-at-Melbourne-Museum/

The squid which was accidentally caught in a fishing trawl off western Victoria, weighs around 245 kg, making it the largest giant squid that Australian researchers have encountered. It is estimated that, intact, the animal would have been over 12 metres long.

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