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From Sub-Antarctic flatworms to Niuean throwing stones: Te Papa’s annual research journal and Collections Online

Tuhinga 22Last week we released the latest edition of our annual research journal, Tuhinga, through our Collections Online. While we’ve had some older editions of Tuhinga available as downloadable pdf’s for a little while now, this is the first year we’ve released Tuhinga primarily in digital form, and linked to the collections themselves.

This years issue of Tuhinga is the largest published to date, with 8 research articles from a wide range of research fields including spiders, crustaceans, the flatworm, podocarp trees, an archaeological investigation of a large Māori Settlement of a volcanic cone in Auckland, exploring the material culture from Niue Island in Te Papa’s Pacific Cultures collection, and the identification and description of feathers in Te Papa’s Māori cloaks.  Check it out here.

By making Tuhinga, and the individual articles, available through Collections Online, we make more of the research our staff and associates undertake available to a much wider audience than ever before. But possibly even more importantly, we make that research available in the context of the artworks, objects, specimens, taxonomies, people and places the articles are about.  For example Safua Akeli and Shane Pasene’s research on the Niuean objects and material culture in Te Papa’s collections is now directly linked to some of the objects discussed in the article. This  also works in reverse; if you were researching throwing stones had found this maka you could see the stories and research that reference it, including the Tuhinga article.

While this year’s journal is the first  to be delivered through Collections Online, we’re working  to make all the previous Tuhinga journals and their articles available in the same way. We’re  also looking to see how we can increase access to some of our other research, which might already be published, but a bit difficult to find.

Mapping our specimens

We recently rolled out a new feature for those of you in interested seeing where zoological and botanical specimens in Te Papa’s collections were collected from. We’ve been mapping individual specimens for a while now, but we’ve added the ability to see where specimens from a particular family, genus or species were collected from, giving an indication of the distribution, and also our collecting habits!

Deroceras (Genus)

Map showing the collection localities of specimens from the genus Deroceras

There’s a few things to keep in mind when reading the maps.  Not all specimens have coordinate information recorded, and some coordinate information has been captured historically and converted to newer systems, producing  varying degrees of accuracy. Also most of our specimens are not published to Collections Online yet, though we’re publishing more all the time, and the medium term goal to is publish nearly all of them.

This means the maps aren’t yet representative of the distribution of a particular species, but instead give you an idea of where some of the specimens in the Te Papa collections were collected from.  

The maps are at the family, genus and species levels of the taxonomy, so you can browse up and down the hierarchy. If you click on the small map, you’ll be presented with a larger map view with normal Google Maps functionality (satellite, terrain layers etc) as well as the ability to filter by species or genus.  If you click on any of the points, you’ll get a list of the specimens at that location, and can open the page for a specimen. Here’s a few examples:

Over the last few months our Natural Environment team have also been working hard on writing background information on the collections, and the research they do. Take a look. It’s a great way to get some non-technical understanding of the collections, and as a path into the collections themselves.

Share and zoom; new features in Collections Online

This week we’ve introduced a couple of small, but hopefully useful, features to our Collections Online pages.

Sharing
You may have noticed more and more sites (including this blog) have the ability share pages with your friends via your social network sites, such as Facebook or Twitter, or through other tools such as Gmail. We think this is pretty useful, so have added this to our Collections Online pages. Now you can:

  •  tweet that photograph you might have found particularly beautiful, 
  • save the link to a person you might be researching for an assignment,
  • or just email someone with a rather scary Christmas Cake decoration.

Keep an eye out for the “Like” “Tweet” and “Share” buttons on each page.

New look zooming
We’ve also changed the way our images zoom in Collections Online. Previously on a page for a collection object or specimen you had to click on each image individually to open up a new zoom window. With the new functionality you can click on any of the thumbnails on that page, and all the available images for that object appear in one window. You can then zoom to your heart’s content. Of course we’ve got lots of work still to do in digitising our collections, but for the images we can make available we hope this tool will help you get into the detail of the works. It also gives us the beginnings of some further enhancements we’ll be doing with images and other media in the future.

Try these examples:

PA.000083; Government Courthouse, Apia; Thomas Andrew; Te Papa

 

Collections Online update: Mapping

Mapping the collections
This week we added a new feature to Collections Online, our first efforts to map our collection objects, specimens and other resources.  As you browse the collection, the Related Places section at the right of the page will generate a map of the places related to the collection item or resource – just click on the “show map” link to open up the map for that page.

Collections Online mapping

 

For Humanities collections we are mapping where an object was made, depicts, was influenced by or refers to. We can map these because we catalogue our collections geographic associations using the Getty Thesaurus of Geographic Names, which often include the latitude and longitude of the place described. That means as we catalogue our collections as part of our acquisition, inventory or research, we are geo-coding the objects at the same time, at least down to the closest geographically named place.

There are limitations to this approach, for example it doesn’t go down to street level, and of course many of our collection objects are recorded simply as being made in “New Zealand”,  the coordinates for which hover above the centre of the country. Not exactly accurate, but may provide some context for some objects. We’ll try to work through some of these issues, but they are inevitable for some of our objects, as we simply don’t have any more specific information about where they were produced. 

Here’s a few examples of the mapping working in the different parts of Collections Online (don’t forget to click the “show map” link to the right of each page):

  • Objects: Mapping the distribution of the Commonwealth countries referred to in this poster
  • Objects: Mount Taranaki Try zooming in on the map and switch it to satellite view
  • Themes: Tapa styles across the Pacific
  • Places: For the TGN place records themselves, well, we show where the place is! E.g. don’t know where Waipawa is? Now you do!
  • Person pages: Pictorialist photographer Richard Sharrell, born in Graz, Austria, died in Wellington, New Zealand.

For Natural environment, we’re using the map references (or more recently GPS coordinates) recorded as part of the collection of specimens on field collection trips.  For example, this snail was collected on the Te Ringa track, not far from Russell in the Far North.

At this stage we can only map one object, specimen or resource at a time (though they may have multiple places related). Next step is to map multiple specimens, objects etc as this will help understand the distribution of a particular species, or the various places an artist worked for example. We’ll also look at how to try to work with more pin point geo-coding for non-named places, more like what you are used to on Google maps or Street View.  But we hope this first step provides at least some more context to the collections and the people and stories that surround them.

Collections Online update: Taxonomy browser

Since we released the new version of Collections Online  in July last year we’ve made the odd fix, or a new feature here and there. You probably don’t notice them but hopefully they’ve made your browsing experience a bit easier.  However recently we’ve done a couple of things we thought were worth pointing out. First up, one for those interested in the natural environment collections.    

Aptenodytes forsteri

Aptenodytes forsteri

 

Taxonomy Browser
Initially this may look like just one for the scientists out there, but I think it could help enthusiasts, and pretty much anybody else, get a bit more insight into the relationships between species of birds, plants and our other natural environment collections. A new taxonomy browser allows you to browse up and down the scientific classifications of our collection specimens.   

For example if you check out the specimen record  for this fine fellow (Emperor Penguin) at the right of the page you can see the new Related Taxa section, showing the classification hierarchy. In this new section click on Aptenodytes forsteri (Species) you jump into the species level record. This shows you the other specimens we have for that species. You can then browse up browse up to the broader level (Genus, Aptenodytes) where you can see all the species (and our specimens) that belong to that genus, or you can browse broader again up to the family record Spheniscidae (penguins), and so on. This also applies to our plant (try it with the ferns) and zoological collections, including the ever-popular spiders.   

Obviously it’s much easier to move around if you understand the latin names used in the Linnaean structure, but hopefully being able to browse around is at least a start for the non-scientists among us too.    

The next step is being able to browse humanities objects for a particular species using the correct taxonomic identification, allowing to see not  only our specimens, but objects in our art photography, Taonga Maori, Pacific or History collections that feature that species.   

Collections Online tour; part 4, Places and Categories

Carrying on our tour of our recent Collections Online release. Previously we’ve discussed Objects, Topics and People. Today; Categories and Places.

When we document our collection objects and related knowledge we use controlled vocabulary to describe the type of objects, the subjects and concepts related, the materials they are made of and the techniques used. We use a couple of excellent thesauri from the  J. Paul Getty Trust and Library of Congress, and a few we’ve worked on ourselves.

Using controlled vocabularies means that as curators and collection managers go about their work of researching and documenting our collections, they are using consistent terminology which create relationships between the object they are working with and other objects and topics in the collections without having to know about those other objects. This makes “like” objects much easier to find.

By using these thesauri we are using terminology that makes our data more findable and shareable, nationally and  internationally. Of course there are quite a few concepts and words that are peculiar to New Zealand, so we add those into the appropriate place, into the appropriate thesaurus. Thesauri also have broader and narrower relationships between terms which allows you to browse around related content, there’s a couple of examples below. Alternate names and spellings for terms in the thesaurus also means content is more “findable”.

We are also developing our own classification systems for objects from our Taonga Maori and Pacific Cultures collections, and are looking at other existing classifications which could also help refine our descriptions. It’s an ever-evolving area, but the more we work at it, the more accurate and accessible it makes our collections.

For a more in-depth explanation of  thesauri and controlled vocabulary, try this presentation from Murtha Baca of the Getty Vocabulary Program, from the Special Libraries Association 2008 conference.

OK, so now onto how this actually translates into Collections Online.

Categories
These are thesaurus terms used to describe and relate our objects and topics. In our Collections Information System we use the Getty’s Art and Architecture Thesaurus to describe object types, materials, techniques, periods and styles. We use the Library of Congress’ Thesaurus for Graphic Materials I to describe subjects.

Because the thesaurus is hierarchical you can browse through broader and narrower concepts, possibly finding and learning about categories or ideas you didn’t know about. Interested in rifles? Note they are part of the broader category “long guns”; click on that link and see all the long guns, then browse back down to shotguns, and carbines and muskets. Or maybe try the subject category Theatrical productions. See the descriptive notes from the Getty and Library of Congress, as well as related terms, alternate spellings or names, again making it easier to find the objects you might be interested in.

Shadows

A few more categories to start you off:

Places. For this we primarily use the Getty’s Thesaurus for Geographic Names. Places cover where people are born or die, and places that objects depict, were made at, or are influenced by. Like Categories, Places are hierarchical, so you can browse through countries, regions, towns and cities, and see objects, people and topics related to those places. Try Hawke’s Bay. From there you can browse down to Napier, Hastings, or some of the smaller places in Hawke’s Bay and see objects from our collection that relate to those places.

Our natural environment specimens aren’t currently available via place browsing, as they have historically used a different place name system. However this is not an uncommon problem, and we (and others) are looking at how best to resolve that. We also we have a few tricks coming up that will help bring the humanities and natural environment collections closer through mapping, more on that later.

 Tauranga

See what depicts, was made, or refers to these places:

Some of you may be asking where tagging fits into this. We’ve got a few ideas that we’ll discuss on the blog a bit later.

Next entry in this Collections Online introduction series: Linking out

Collections Online tour; part 3, People and Organisations

OK so far on our tour of Collections Online we’ve covered Objects and Topics.  These wouldn’t exist without people. 

People and organisations
Artists and makers, collectors, historical figures; basically people and organisations that are related to the objects or topics in the collection.

At these pages you can see basic biographical information, and all the topics and Collection Objects that relate to the person in question. You can filter objects by relationship such as see those that depict the person, or the objects the person made, or once owned, and so on. You’ll also see other instiutions or organisations content that relates to that person via the DigitalNZ results at the right of the page.

We’ve also got a few plans on how better to link to sources of info on artists and historical figures.

Rembrandt van Rijn

More interesting people to try out:

Next entry in this Collections Online introduction series: Places and Categories

Collections Online tour; part 2, Topics

Continuing our tour of the new version of  Collections Online, today we look at topics.  As well as making our collections accessible online, we’re also trying to make more of our knowledge and research available. One way we are doing that is through topics.

Topics
Topics range from simple groupings of content we want to highlight,  through to more “authored” hierarchical narratives. They could be something that has come from months of research or simple an idea  a curator had at lunch.

As well as creating new topics from current research, we’ve also gathered up some texts that were scattered around in disparate places, added them to Collections Online, and relating them to objects, people and other topics.  This makes information that was previously difficult to find, or maybe only available if you could find the book, available to a wider range of people. It also enables us to share this content with collaborative projects such as DigitalNZ.

WWI topic

Take a look at a few examples:

And don’t forget, all these topics are linked to collection objects, parties, categories and other topics.  Browse away!

Next entry in this Collections Online introduction series: People

Collections Online tour; part 1, objects

Our new version of Collections Online has much more content, types of information, and browsing possibilities than before. There’s a bit too much to explain in one post so we’re going to break it up over a series of posts. First up, the obvious, Te Papa’s Collection.

Motor Car, 1903, Peugeot, Gift of A.R. and J.D. Green, 1955

Objects
Of course a primary goal of ours is to provide access to our collections. The Collection objects currently available on Collections Online come from the range of Te Papa’s collections, with some areas represented better than others. Objects and works from the entire Art, History and Pacific collections, and much of our Taonga Maori and Photography collections, have at least a basic record online, with many having images and extended descriptions. We also have many records from our natural environment collections.  Currently there are over 150,000 records, with over 40,000 of those having images. We release more objects, images and upgraded information every day.

In this new version of Collection Online we’ve added a few features to better describe our objects:  

  • Multiple images, e.g. the Peugeot , or John Reynolds’ Cloud,  and most of these are zoomable. We’ll be looking to add other types of media soon.
  • Down the right hand side you’ll see related People, Places and Categories. We’ll talk about these individually in more detail later but in short, they add context and help you browse through to related objects and content
  • Related objects, for example images from a Photograph album
  • Just for fun, we’ve also added a randomiser. You can access this from the Collections Online home page, and we’ve also got a random object on the main Te Papa homepage.

Next entry in the Collections Online tour: Topics 

New version of Collections Online

Yesterday we released an updated version of Collections Online, or at least the beginnings of it. There are a few tweaks to do here and there that we will work on over the next while, and of course more features we will be adding in the future.

I won’t go into too much detail now as we’ll discuss it more over the coming weeks, highlighting the different bits and pieces we find exiting (and challenging). However in summary, our aim to make relationships between collection objects and specimens, people, places and  topics more explicit, and more meaningful; to make it easier to browse the collections and Te Papa’s related knowledge; to make it a richer browsing experience; and to link out to other collections and institutions. Take a look at these samples to get a taste:

A lot of people across Te Papa have put a lot of work into getting this out there, and we look forward continuing to expand the content and tools. Bear with us while we iron out the kinks, but do let us know what you think of these early stages, what you find useful, or maybe what you’d like to see as future developments. Have a play, you might be surprised at what you find!

PS. Remember to keep an eye on the blog, where we will be giving you a bit more of a tour through the new features soon.

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