It seems the language of the Na’vi, the indigenous people of the planet Pandora, may be the latest addition to the family tree of Pacific languages. In recent publicity surrounding James Cameron’s blockbuster film Avatar, it was revealed that the development of the Na’vi language was influenced by Maori language. As reported by Charlie Gates of The Press “Cameron used language expert Paul Frommer, of the University of Southern California in Los Angeles, to mould the alien language, mixing Maori with languages from Europe and Africa.”

In the Pacific, there is a ‘family tree’ of languages. When groups of people left their homeland and settled in new places in the Pacific, their languages began to change. Over hundreds of years, languages became quite distinct from the original language, or ‘proto-language’, of those languages left at home.

By comparing the sounds, words, and sentence structures of modern Pacific languages, linguistics researchers can trace historical relationships between different Pacific peoples and create what you could describe as ‘family trees’.  They can even reconstruct proto-languages that no longer exist. This gives us insights into the lives of the people who spoke those languages, sometimes thousands of years ago.

The connections between Pacific Islands languages have been important for telling stories here at Te Papa. In the exhibition Tangata O le Moana: the story of Pacific people in New Zealand language is an important strand of evidence highlighting the connections between Maori and their Pacific ancestors. For example, vaka, va‘a, and wa‘a are all words for canoe in various languages of the eastern Pacific. The Maori term is waka. Similarly fale, hale, ‘are and the Maori word whare are terms for house.

Next time you come to Te Papa visit the language barrel interactive in the Tangata O le Moana exhibition. Line up similar words in four Pacific languages, and listen to hear how they are spoken. You won’t hear Na’vi but you can decide for yourself whether Maori really is the proto-language of the native peoples of Pandora.

See the original news article

http://www.stuff.co.nz/the-press/news/3248069/Avatar-language-based-on-Maori

Followers of the Te Papa blog will probably have seen the post I made about the latest Sculpture Terrace project by Paul Cullen.

The project opened in November last year and at the time Paul was here we worked with Michael Hall from the Te Papa photography team to make a short video of Paul speaking about the work.The clip is now edited and has been loaded onto Te Papa’s You Tube page (there’s lots of other great clips there too).

For quick access, here is the clip of Paul and A Garden.

Blog post about A Garden

http://blog.tepapa.govt.nz/?s=paul+cullen

Te Papa’s You Tube page

http://www.youtube.com/user/tepapamuseum

Musician Pauly Fuemana died yesterday after a short illness. He was 40 years old. Pauly is from a talented family of musicians, who were pioneers in hip hop and the music industry in South Auckland. He was frontman for the group OMC (Otara Millionaires Club) but is best known for How Bizarre written with producer Alan Jansson and released in 1995. The song sold millions of copies. It was a catchy international hit that put music and musicians from South Auckland on the map both locally and globally. 

When How Bizarre hit the international charts, I was in Ireland visiting the Irish (I call them the Samoans of the north Atlantic!) side of my family. My cousins took me to a nightclub, which was low on energy until the now classic opening notes of How Bizarre boomed out and patrons raced to fill the dance floor. It brought a smile to my face to see how a tune from the South Pacific could make these “Irelanders” move! 

Of course, appreciation of How Bizarre was equally strong at home, and Pauly and the music of OMC have had a place in Te Papa since the museum opened in 1998. 

In the exhibition Mana Pasifika: celebrating Pacific Cultures (1997-2007), the 1994 track we R the OMC was part of a small display highlighting the diversity of Pacific Islands music. 

Sounds Pacific : Mana Pasifika music interactive 1998 (Te Papa)

You can still hear Pauly and the OMC in Te Papa’s current exhibition Tangata o le Moana: the story of Pacific people in New Zealand (2008-). Check out the Pacific beats mixing booth. The hit How Bizarre is also highlighted as one of the many contributions Pacific people have made to New Zealand’s music history.  

Pacific beats mixing booth: Tangata O le Moana exhibition (Te Papa)

Pauly visited the exhibition team during the show’s development. We enjoyed his stories and the afternoon he spent with us. We extend our sympathy to the Fuemana family, their friends and the fans of the OMC. 

Much alofa…

In 2008, I co-curated a small show in our Illot Gallery about Samoan-born graphic designer Joseph Churchward, who has hand-crafted about 570 fonts to date. Last year, Joseph received the John Britten Award, from the Designers Institute of New Zealand, for outstanding leadership, vision and achievement in the field of type design. Here are four of my favourite Churchward font designs: 

  • Churchward Design
Churchward Design Print Negative; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

Churchward Design Print Negative; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

  • Churchward Marianna
Churchward Marianna Black Print Negative; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

Churchward Marianna Black Print Negative; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

  • Churchward Maori
Churchward Maori 1983 Hand Drawn Board; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

Churchward Maori 1983 Hand Drawn Board; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

  • Churchward Alefapeta (Alphabet) Samoa
Churchward Alefapeta Samoa Poster; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

Churchward Alefapeta Samoa Poster; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

Juliet Peter, painter, printmaker, potter and designer died in Wellington on 12 January, aged 94. Earlier this week several Te Papa staff attended her funeral.

An early practitioner of studio ceramics in New Zealand, Juliet’s work was stylish and individual. Her commitment to clay led to her close association with the magazine New Zealand Potter, which she and her husband Roy Cowan worked on from 1962, along with founders Doreen Blumhardt and Helen Mason. Juliet developed the drawings and designed the magazine’s layouts.

As well as painting and pottery, design was an important part of her work. Juliet was a longstanding contributor to the School Journal and brought a lively, personal touch to her designs and illustrations.

Te Papa holds watercolours, lithographs and pottery by Juliet. This stoneware branch pot is an elegant example of her salt glazed works, which have minimal decoration but a strong emphasis on form.

Small branch pot; Circa 1975, by Juliet Peter; Te Papa.

Small branch pot, circa 1975, by Juliet Peter. Purchased 1975 with G.G. Gibbes Watson Bequest funds; Te Papa.

The pot was fired in the kiln built in Ngaio, Wellington by Roy Cowan in the mid 1970s. Like Juliet, Roy was also a painter, printmaker and designer, and theirs was a considerable creative partnership. He passed away in 2006.

Lantern, 1966, by Roy Cowan; Te Papa.

Lantern, 1966, by Roy Cowan. Purchased 1966; Te Papa.

We offer our sympathies to Juliet Peter’s family. She leaves a legacy in twentieth century New Zealand art and design that will long be remembered. 

Justine Olsen
Curator Contemporary Decorative Art

I was out last week with Tim Park from the regional council looking for Pseudopanax hybrids between lancewood and coastal five-finger near Porirua.   

Coastal five-finger and the hybrids are weeds in the Wellington region.

Previous post on lancewood and coastal five-finger hybridisation.

We spotted a couple of other weedy natives – New Zealand species that are naturalising (self-sowing) outside their native range – that were new to us.

Meryta sinclairii, puka. Self-sown saplings near Porirua. Photo by Leon Perrie, Curator. © Te Papa.

Meryta sinclairii, puka, is native to the Three Kings Islands and (possibly) the Hen & Chickens Islands.  Puka is commonly cultivated.  While I’ve heard others report puka’s naturalisation, this was the first time I had seen it for myself.  Meryta is a close relative of Pseudopanax.

Probable Pseudopanax discolor. Self-sown saplings near Porirua. Photo by Leon Perrie, Curator. © Te Papa.

An even more interesting find was what appeared to be naturalising Pseudopanax discolor.  This species is native to Great Barrier Island and the Coromandel Peninsula.  I was not previously aware of it naturalising in Wellington (or anywhere outside its native range).  Pseudopanax discolor is rare in gardens, although cultivars and/or its hybrids with P. lessonii are fairly common.

I’m interested in weedy natives, especially in the Wellington region where Corynocarpus laevigatus (karaka), Hoheria populnea (lacebark), Metrosideros excelsa (pohutukawa), Pittosporum crassifolium, Pittosporum ralphii, Pseudopanax crassifolius x lessonii, and Pseudopanax lessonii (coastal five-finger) are widespread and well known.  I’d be interested in reports of other species naturalising.

I was recently in New Plymouth, where I took the opportunity to visit Pukekura Park. Aside from its lovely cricket ground, the Park is of course notable for its plants.

Pukekura Park website.

King fern, para, Ptisana salicina (formerly Marattia salicina). Photo by Leon Perrie. © Leon Perrie.

One of the botanical highlights for me was king fern, probably best seen at the Park in the appropriately named King Fern Gully, where it is dominant in the understory.

King Fern Gully, Pukekura Park. Photo by Leon Perrie.

Reproductive structures of king fern, on undersides of fronds. Photo by Leon Perrie. © Leon Perrie.

Ptisana salicina is king fern’s scientific name, a recent revision from Marattia salicina.

Para is the Maori name. The bracts at the base of the frond were a prized Maori delicacy.

Bracts at the base of the fronds of king fern. Photo by Leon Perrie. © Leon Perrie.

In decline. Unfortunately, introduced mammals also like eating king fern, and it is now rare in the wild.

King fern assumedly occurs naturally at Pukekura Park, but it has also clearly been planted in some parts of the Park.

NZ Plant Conservation Network webpage for king fern.

A more glorious tropical cousin. The large glossy fronds of king fern are eye-catching, but those of the tropical Angiopteris ferns are even bigger and, I think, more impressive.

Angiopteris evecta, Sydney Botanic Gardens. Photo by Leon Perrie.

Michael Houlihan, Te Papa’s newly appointed CEO, is currently Director General of Amgueddfa Cymru National Museum Wales.

http://www.museumwales.ac.uk/

In a recent post on the Amgueddfa blog Michael talks about his decision to make the big move from Wales to New Zealand:

http://www.museumwales.ac.uk/en/blog/?cat=409

I was checking out pictures on the Amgueddfa blog of the wildlife and woodlands in the snow at St Fagans the National History Museum.This open-air museum is one of the seven museums that make up Amgueddfa Cymru National Museum Wales.

http://www.museumwales.ac.uk/en/blog/?entry=236

http://www.museumwales.ac.uk/en/stfagans/

It might not be very warm or summery here in Wellington right now but spare a thought for everyone over in Britain where the winter conditions have been described as ”glacial”.  A note on the St Fagans home page tells visitors that the museum is closed “due to snow and ice”.

Brrrrr…. summer in Wellington not so bad after all?

Michael Houlihan, Te Papa's new CEO

Michael Houlihan, Te Papa's new CEO

Te Papa has a new CEO – Michael Houlihan.

Yesterday the Chairman and Board of the Museum of New Zealand Te Papa Tongarewa confirmed the appointment of Michael Houlihan as the new Chief Executive Officer (CEO) for the museum.

http://www.tepapa.govt.nz/AboutUs/Media/Pages/NewChiefExecutive.aspx

Michael Houlihan was interviewed yesterday morning, shortly after the announcement, by Simon Morton on Radio NZ National’s Summer Report.

http://www.radionz.co.nz/national/programmes/summerreport/20100113

Listen to the interview here:

http://podcast.radionz.co.nz/srpt/srpt-20100113-0911-New_Te_Papa_CEOs_plans_for_the_museum-048.mp3

Incidentally, Simon Morton is no stranger to Te Papa  – he’s been going ‘behind the scenes’ getting to know the collections and the staff as one of the presenters of “Tales from Te Papa”. You can explore them here:

http://www.tepapa.govt.nz/ResearchAtTePapa/Pages/TalesfromTePapa.aspx

And so a new tale from Te Papa begins.

One of the great things about blogs are the connections that get made. For Te Papa this means we get new and interesting links to things in our collections.

The house in Lewes where Gideon Mantell was born in Feb 1790, as it looks today - in the snow, 2010. Copyright Debby Matthews.

Debby Mathews lives in Lewes, near Brighton in the south of England – in the same house in which Gideon Mantell was born, on 3 Feb 1790! The house is timber framed and dates back to 1700. Gideon’s father had a shoemaking workshop downstairs and the family lived upstairs.

What’s the connection? Well Debby saw our recent post about the fossil iguanodon tooth. It’s one of the most significant items in Te Papa’s collections and the topic of a recent Tales of Te Papa

Watch Tales of Te Papa – the iguanodon tooth

Gideon Mantell described the fossil in 1825 and it’s considered to be the very first fossil to be recognised as being from a dinosaur. On that basis, our resident geologist Hamish Campbell calls the fossil tooth “one of the holy grails of natural science”!

Find out more about the iguanodon tooth on Collections Online

Debby sent us a picture of the house the other day. It’s covered in snow right now, as the UK experiences one of the coldest winters in many years!

She is involved in celebrating the work of Gideon Mantell in his home town of Lewes, and organising events for 2010 to commemorate 220 years since his birth. We hope she’ll keep up the links with Te Papa and the famous iguanodon tooth that has journeyed all the way out to New Zealand and  into our collection.

Next Page »